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    <title>Jazz Journalists Association 2019 Best of Jazz from JJA Members</title>
    <link>https://jja.wildapricot.org/widget/</link>
    <description>Jazz Journalists Association blog posts</description>
    <dc:creator>Jazz Journalists Association</dc:creator>
    <generator>Wild Apricot - membership management software and more</generator>
    <language>en</language>
    <pubDate>Sat, 11 Apr 2026 06:51:21 GMT</pubDate>
    <lastBuildDate>Sat, 11 Apr 2026 06:51:21 GMT</lastBuildDate>
    <item>
      <pubDate>Fri, 12 Jun 2020 23:30:44 GMT</pubDate>
      <title>Best Puerto Rico Jazz Albums 2019</title>
      <description>&lt;P&gt;&lt;FONT color="#222222"&gt;Miguel Zenón – Sonero&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;A href="https://miguelzenon.com/project/sonero/" target="_blank"&gt;Sonero&lt;/A&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#222222"&gt;David Sánchez – Carib&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#222222"&gt;Fabiola Méndez - Al Otro Lado del Charco&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;A href="https://www.fabiolamendezmusic.com/" target="_blank"&gt;Fabiola Mendez&lt;/A&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#222222"&gt;&lt;FONT&gt;Borinqueneers Jazz Trio - Aguinaldo J&lt;/FONT&gt;&lt;FONT&gt;í&lt;/FONT&gt;&lt;FONT&gt;baro&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#222222"&gt;&lt;FONT&gt;Calle&lt;/FONT&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;FONT&gt;Loíza Jazz Project - There will never be another you&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/9033983</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/9033983</guid>
      <dc:creator>Wilbert Sostre</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 18 Feb 2020 14:27:16 GMT</pubDate>
      <title>Christopher Burnett</title>
      <description>&lt;H1&gt;&lt;A href="http://jazzartistrynow.com/jan-best-of-jazz-2019/"&gt;&lt;FONT&gt;JAN Best of Jazz 2019&lt;/FONT&gt;&lt;/A&gt;&lt;/H1&gt;

&lt;P&gt;&lt;FONT&gt;HERE ARE THE TWELVE ALBUMS THAT SHOULD BE ON EVERYONE’S DEVICES&lt;/FONT&gt;&lt;/P&gt;

&lt;BLOCKQUOTE&gt;
  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;THE DAVID BERKMAN SEXTET&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;album:&amp;nbsp;&lt;A href="https://music.apple.com/us/album/six-of-one/1451243983"&gt;&lt;FONT color="#CD2653"&gt;SIX OF ONE&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;&lt;SPAN&gt;&lt;EM&gt;“Musical mastery and beauty from a giant of his generation …”&lt;/EM&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT style="font-size: 21px;"&gt;–&amp;nbsp;&lt;A href="http://jazzartistrynow.com/"&gt;&lt;FONT color="#CD2653"&gt;Jazz Artistry Now&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;
&lt;/BLOCKQUOTE&gt;

&lt;BLOCKQUOTE&gt;
  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;TUCKER BROTHERS&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;album:&amp;nbsp;&lt;A href="https://music.apple.com/us/album/two-parts/1473842804"&gt;&lt;FONT color="#CD2653"&gt;TWO PARTS&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;&lt;SPAN&gt;&lt;EM&gt;“Fresh, enchanting, elegant, and exquisite musicality throughout …”&lt;/EM&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT style="font-size: 21px;"&gt;–&amp;nbsp;&lt;A href="http://jazzartistrynow.com/"&gt;&lt;FONT color="#CD2653"&gt;Jazz Artistry Now&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;
&lt;/BLOCKQUOTE&gt;

&lt;BLOCKQUOTE&gt;
  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;GARZONE · ERSKINE · PASQUA · OLES&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;album:&amp;nbsp;&lt;A href="https://music.apple.com/us/album/3-nights-in-l-a/1472625399"&gt;&lt;FONT color="#CD2653"&gt;“3 NIGHTS IN L.A.”&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;&lt;SPAN&gt;&lt;EM&gt;“Stunning! … ridiculously great and hard swinging modern jazz!”&lt;/EM&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT style="font-size: 21px;"&gt;–&amp;nbsp;&lt;A href="http://jazzartistrynow.com/"&gt;&lt;FONT color="#CD2653"&gt;Jazz Artistry Now&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;
&lt;/BLOCKQUOTE&gt;

&lt;BLOCKQUOTE&gt;
  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;CHARLIE DENNARD&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;album:&amp;nbsp;&lt;A href="https://music.apple.com/us/album/deep-blue/1447813163"&gt;&lt;FONT color="#CD2653"&gt;DEEP BLUE&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;&lt;SPAN&gt;&lt;EM&gt;“Swinging, Soulful, and Sublime modern instrumentally driven music with the historically centered timelessness of a classic album of New Orleans jazz roots…”&lt;/EM&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT style="font-size: 21px;"&gt;–&amp;nbsp;&lt;A href="http://jazzartistrynow.com/"&gt;&lt;FONT color="#CD2653"&gt;Jazz Artistry Now&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;
&lt;/BLOCKQUOTE&gt;

&lt;BLOCKQUOTE&gt;
  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;MIKE HOLOBER &amp;amp; THE GOTHAM JAZZ ORCHESTRA&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;album:&lt;A href="https://music.apple.com/us/album/hiding-out/1465336137"&gt;&lt;FONT color="#CD2653"&gt;&amp;nbsp;HIDING OUT&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;&lt;SPAN&gt;&lt;EM&gt;“Progressive modern jazz, with brilliant soloists and great charts …”&lt;/EM&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT style="font-size: 21px;"&gt;–&amp;nbsp;&lt;A href="http://jazzartistrynow.com/"&gt;&lt;FONT color="#CD2653"&gt;Jazz Artistry Now&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;
&lt;/BLOCKQUOTE&gt;

&lt;BLOCKQUOTE&gt;
  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;JOEL ROSS&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;album:&amp;nbsp;&lt;A href="https://music.apple.com/us/album/kingmaker/1456437395"&gt;&lt;FONT color="#CD2653"&gt;KINGMAKER&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;&lt;SPAN&gt;&lt;EM&gt;“proof that the next generation of artists has positively arrived in full clarion voice and with firm musical intentions that could portend an amazing future …”&lt;/EM&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT style="font-size: 21px;"&gt;–&amp;nbsp;&lt;A href="http://jazzartistrynow.com/"&gt;&lt;FONT color="#CD2653"&gt;Jazz Artistry Now&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;
&lt;/BLOCKQUOTE&gt;

&lt;BLOCKQUOTE&gt;
  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;DAN ARCAMONE&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;album:&amp;nbsp;&lt;A href="https://music.apple.com/us/album/psalm-feat-panagiotis-andreou-steve-pruitt/1472275240"&gt;&lt;FONT color="#CD2653"&gt;PSALM&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;&lt;SPAN&gt;&lt;EM&gt;“progressive jazz fusion brilliance once again … Arcamone pays tribute to Coltrane in an innovative and respectfully musical way …”&lt;/EM&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT style="font-size: 21px;"&gt;–&amp;nbsp;&lt;A href="http://jazzartistrynow.com/"&gt;&lt;FONT color="#CD2653"&gt;Jazz Artistry Now&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;
&lt;/BLOCKQUOTE&gt;

&lt;BLOCKQUOTE&gt;
  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;AIMEE NOLTE&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;album:&amp;nbsp;&lt;A href="https://music.apple.com/us/album/looking-for-the-answers/1454430825"&gt;&lt;FONT color="#CD2653"&gt;LOOKING FOR THE ANSWERS&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;&lt;SPAN&gt;&lt;EM&gt;“A simply wonderful album … with teeth!”&amp;nbsp;&lt;/EM&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT style="font-size: 21px;"&gt;–&amp;nbsp;&lt;A href="http://jazzartistrynow.com/"&gt;&lt;FONT color="#CD2653"&gt;Jazz Artistry Now&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;
&lt;/BLOCKQUOTE&gt;

&lt;BLOCKQUOTE&gt;
  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;JOHNATHAN BLAKE&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;album:&amp;nbsp;&lt;A href="https://music.apple.com/us/album/trion-feat-chris-potter-linda-may-han-oh/1456624298"&gt;&lt;FONT color="#CD2653"&gt;TRION&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;&lt;SPAN&gt;&lt;EM&gt;“A masterful recording from one of the top musicians working today …”&lt;/EM&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT style="font-size: 21px;"&gt;–&amp;nbsp;&lt;A href="http://jazzartistrynow.com/"&gt;&lt;FONT color="#CD2653"&gt;Jazz Artistry Now&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;
&lt;/BLOCKQUOTE&gt;

&lt;BLOCKQUOTE&gt;
  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;KENNY WERNER&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;album:&amp;nbsp;&lt;A href="https://music.apple.com/us/album/the-space/1441314552"&gt;&lt;FONT color="#CD2653"&gt;THE SPACE&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;&lt;SPAN&gt;&lt;EM&gt;“Solo piano genius … yes, genius!”&lt;/EM&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT style="font-size: 21px;"&gt;–&amp;nbsp;&lt;A href="http://jazzartistrynow.com/"&gt;&lt;FONT color="#CD2653"&gt;Jazz Artistry Now&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;
&lt;/BLOCKQUOTE&gt;

&lt;BLOCKQUOTE&gt;
  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;BRANFORD MARSALIS QUARTET&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;album:&amp;nbsp;&lt;A href="https://music.apple.com/us/album/the-secret-between-the-shadow-and-the-soul/1448391851"&gt;&lt;FONT color="#CD2653"&gt;THE SECRET BETWEEN THE SHADOW AND THE SOUL&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;&lt;SPAN&gt;&lt;EM&gt;“a true band that is still among the ‘gold standard’ of working jazz ensembles … Marsalis and mates are at the top of their game here …”&lt;/EM&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT style="font-size: 21px;"&gt;–&amp;nbsp;&lt;A href="http://jazzartistrynow.com/"&gt;&lt;FONT color="#CD2653"&gt;Jazz Artistry Now&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;
&lt;/BLOCKQUOTE&gt;

&lt;BLOCKQUOTE&gt;
  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;ANTHONY BRAXTON&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;album:&amp;nbsp;&lt;A href="https://music.apple.com/us/album/quartet-new-haven-2014/1489207411"&gt;&lt;FONT color="#CD2653"&gt;“QUARTET (New Haven) 2014”&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

  &lt;P style="line-height: 57px;"&gt;&lt;FONT style="font-size: 21px;"&gt;&lt;FONT face="inherit" style="font-size: 21px;"&gt;&lt;SPAN&gt;&lt;EM&gt;“A model of collective improvisation and spontaneous composition that’s very enjoyable to hear …”&lt;/EM&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;/BLOCKQUOTE&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8754073</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8754073</guid>
      <dc:creator>Christopher Burnett</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 23 Jan 2020 23:31:31 GMT</pubDate>
      <title>Geoffrey Himes</title>
      <description>&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Geoffrey Himes&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;My favorite jazz albums of 2019:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Allison Miller's Boom Tic Boom&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Glitter Wolf&lt;/EM&gt; (Royal Potato)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Bill Frisell Thomas Morgan&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Epistrophy&lt;/EM&gt; (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Melissa Aldana&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Visions&lt;/EM&gt; (Motema)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Anat Cohen Tentet&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: Triple Helix&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Anzic)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Lafayette Gilchrist&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Dark Matter&lt;/EM&gt; (Gilchrist)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Branford Marsalis Quartet&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;The Secret Between the Shadow and the Soul&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Marsalis/Okeh)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Todd Marcus&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Trio +&lt;/EM&gt; (Stricker Street)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Dave Douglas Uri Caine Andrew Cyrille&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Engage&lt;/EM&gt; (Greenleaf)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;10.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;SFJazz Collective&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;The Music of Antonio Carlos Jobim &amp;amp; Original Compositions&lt;/EM&gt; (SFJazz)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;11.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Vijay Iyer Craig Taborn&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: The Transitory Poems (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;12.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Jenny Scheinman &amp;amp; Allison Miller's Parlour Game&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Jenny Scheinman &amp;amp; Allison Miller's Parlour Game&lt;/EM&gt; (Royal Potato)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;13.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Guillermo Klein y los Gauchos&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Cristal&lt;/EM&gt; (Sunnyside)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;14.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Miles Ozaki&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;The Sky Below&lt;/EM&gt; (Pi)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;15.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Matthew Shipp Trio&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Signature&lt;/EM&gt; (ESP)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;16.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Julian Lage&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Love Hurts&lt;/EM&gt; (Mack Avenue)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;17.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Fabian Almazan Trio&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;This Land Abounds with Life&lt;/EM&gt; (Biophilia)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;18.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Abdullah Ibrahim&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;The Balance&lt;/EM&gt; (Gearbox)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;19.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Joshua Redman Quartet&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Come What May&lt;/EM&gt; (Nonesuch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;20.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Cyrille Aimee&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Move On: A Sondheim Adventure&lt;/EM&gt; (Mack Avenue)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;21.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;In Common&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;In Common: Walter Smith III, Matthew Stevens, Joel Ross, Harish Raghavan, Marcus Gilmore&lt;/EM&gt; (Whirlwind)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;22.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Chick Corea&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: Trio &lt;EM&gt;Trilogy 2&lt;/EM&gt; (Concord Jazz)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;23.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Johnathan Blake&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: T&lt;EM&gt;rion&lt;/EM&gt; (Giant Steps)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;24.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Ben Monder&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Day by Day&lt;/EM&gt; (Sunnyside)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;25.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Evan Parker Barry Guy Paul Lytton&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Concert in Vilnius&lt;/EM&gt; (NoBusiness)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;My Favorite Historical Albums of 2019:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Sam Rivers&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Emanation&lt;/EM&gt; (NoBusiness)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Various Artists:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;The Bakersfield Story: Country Music Capital of the West: 1940-1974&lt;/EM&gt; (Bear Family)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Al Green&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;The Hi Records Singles Collection&lt;/EM&gt; (Fat Possum)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;John Coltrane&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Blue World&lt;/EM&gt; (Impulse)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Eric Dolphy&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Musical Prophet: The Expanded 1963 New York Studio Sessions&lt;/EM&gt; (Resonance)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Prince&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;1999&lt;/EM&gt; (NPG/Warner)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;James Brown&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Live at Home with His Bad Self&lt;/EM&gt; (Republic)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;8.&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;STRONG&gt;Bob Dylan with Johnny Cash&lt;/STRONG&gt;: &lt;EM&gt;Travelin’ Thru&lt;/EM&gt; (Columbia/Legacy)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;9.&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;STRONG&gt;Neil Young&lt;/STRONG&gt;: &lt;EM&gt;Tuscaloosa&lt;/EM&gt; (Reprise)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;10.&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;STRONG&gt;The Kinks&lt;/STRONG&gt;: &lt;EM&gt;The Kinks Are the Village&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;My Favorite Non-Jazz New Releases of 2019:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Rhiannon Giddens with Francesco Turrisi:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;There Is No Other&lt;/EM&gt; (Nonesuch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Craig Finn:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;I Need a New War&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Partisan)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Lizzo:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;Cuz I Love You&lt;/EM&gt; (Atlantic)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The North Mississippi Allstars:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;“&lt;EM&gt;Up and Rolling&lt;/EM&gt; (New West)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Mika:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;My Name Is Michael Holbrook&lt;/EM&gt; (Universal)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Justin Townes Earle:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;The Saint of Lost Causes&lt;/EM&gt; (New West)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Mavericks:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Mavericks Play the Hits&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Mono Mundo/Thirty Tigers)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Tyler Childers:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;Country Squire&lt;/EM&gt; (RCA)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Allison Moorer:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;Blood&lt;/EM&gt; (Autotelic)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;10.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Bruce Springsteen:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;Western Stars: Songs from the Film&lt;/EM&gt; (Columbia)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;11.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Miranda Lambert:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Wildcard&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(RCA)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;12.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Buddy &amp;amp; Julie Miller:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;Breakdown on 20th Ave. South&lt;/EM&gt; (New West)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;13.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Charley Crockett&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;The Valley&lt;/EM&gt; (MONO)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;14.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Hold Steady&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Thrashing Thru the Passion&lt;/EM&gt; (Frenchkiss)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;15.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Rodney Crowell&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Texas&lt;/EM&gt; (RC1)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;16.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Erin Enderlin&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Faulkner County&lt;/EM&gt; (Blaster)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;17.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Patty Griffin&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Patty Griffin&lt;/EM&gt; (PGM/Thirty Tigers)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;18.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Jimmy "Duck" Holmes&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Cypress Grove&lt;/EM&gt; (Easy Eye)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;19.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Strumbellas&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Rattlesnake&lt;/EM&gt; (Glassnote)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;20.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Billie Eilish:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;When We Fall Asleep, Where Do We Go?&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Interscope)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;21.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Vampire Weekend&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Father of the Bride&lt;/EM&gt; (Spring Snow/Columbia)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;22.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Black Pumas&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Black Pumas&lt;/EM&gt; (ATO)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;23.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Willie Nelson&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;Ride Me Back Home&lt;/EM&gt; (Legacy)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;24.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Dervish&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;: &lt;EM&gt;The Great Irish Songbook&lt;/EM&gt; (Rounder)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;25.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Gary Clark Jr.:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;This Land&lt;/EM&gt; (Warner)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8663916</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8663916</guid>
      <dc:creator>Geoffrey Himes</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 14 Jan 2020 11:15:06 GMT</pubDate>
      <title>Mirian Arbalejo</title>
      <description>&lt;H1 class="pageTitle" align="center" style="background-color: transparent;"&gt;&lt;FONT style="font-size: 18px;"&gt;Favorite music of 2019&lt;/FONT&gt;&lt;/H1&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;STRONG&gt;Cannonball Adderley Sextet.&lt;/STRONG&gt;&lt;STRONG&gt;&lt;EM&gt;&amp;nbsp;Swingin' in Seattle: Live at the Penthouse (1966-1967)&amp;nbsp;&lt;/EM&gt;&lt;/STRONG&gt;(&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;Reel to Real)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Jaimie Branch.&amp;nbsp;&lt;EM&gt;Fly Or Die II: bird dogs of paradise&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&amp;nbsp;(International Anthem)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;STRONG&gt;James Brandon Lewis.&amp;nbsp;&lt;EM&gt;An UnRuly Manifesto&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;(Relative Pitch Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: Lato, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Sebastián Chames.&amp;nbsp;&lt;EM&gt;Reminiscing the Unknown Masters&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT color="#282828" style="color: rgb(40, 40, 40);"&gt;&amp;nbsp;(self produced)&lt;/FONT&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;Javier Colina &amp;amp; Pepe Rivero.&amp;nbsp;&lt;EM&gt;El Pañuelo de Pepa&lt;/EM&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;(Cezanne Producciones / Jazz Latino Inc.)&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;John Coltrane.&amp;nbsp;&lt;EM&gt;Blue World&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&amp;nbsp;(Impulse!)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Chick Corea, Christian McBride, Brian Blade.&amp;nbsp;&lt;EM&gt;Trilogy 2&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&amp;nbsp;(Concord)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Alejandro Di Costanzo Trio.&amp;nbsp;&lt;EM&gt;Barcino, La Ciudad de los Prodigios&lt;/EM&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;(Errabal)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Al Foster.&amp;nbsp;&lt;EM&gt;Inspirations &amp;amp; Dedications&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&amp;nbsp;(Smoke Sessions)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Bill Frisell y Thomas Morgan.&amp;nbsp;&lt;EM&gt;Epistrophy&lt;/EM&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;(ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Larry Grenadier.&amp;nbsp;&lt;EM&gt;The Gleaners&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT color="#282828" style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&amp;nbsp;(ECM)&lt;/FONT&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Johnny Griffin/Eddie “Lockjaw” Davis.&amp;nbsp;&lt;EM&gt;Ow! Live At The Penthouse&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT color="#282828" style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&amp;nbsp;(Reel To Real Recordings)&lt;/FONT&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Ross Hammond y Poly Varghese.&amp;nbsp;&lt;EM&gt;Across Oceans&lt;/EM&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;(Big Weezus Music)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;Miho Hazama.&amp;nbsp;&lt;/STRONG&gt;&lt;EM style="color: rgb(40, 40, 40); font-family: verdana, sans-serif; font-weight: bold;"&gt;Dancer in Nowhere&lt;/EM&gt;&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&amp;nbsp;&lt;/STRONG&gt;&lt;SPAN&gt;(Sunnyside)&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Fred Hersch &amp;amp; the WDR Big Band.&amp;nbsp;&lt;EM&gt;Begin Again&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;STRONG&gt;&amp;nbsp;&lt;/STRONG&gt;(Palmetto Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Abdullah Ibrahim.&amp;nbsp;&lt;EM&gt;The Balance&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;STRONG&gt;&amp;nbsp;&lt;/STRONG&gt;(Gearbox Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;Ethan Iverson Quartet y Tom Harrell.&amp;nbsp;&lt;/STRONG&gt;&lt;EM style="color: rgb(40, 40, 40); font-family: verdana, sans-serif; font-weight: bold;"&gt;Common Practice&lt;/EM&gt;&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&amp;nbsp;&lt;/STRONG&gt;&lt;SPAN&gt;(ECM)&lt;/SPAN&gt;&lt;BR&gt;
&lt;EM style="color: rgb(40, 40, 40); font-family: verdana, sans-serif; font-weight: bold;"&gt;&lt;FONT color="#282828"&gt;&lt;STRONG&gt;Ahmad Jamal. Ballades&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/EM&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;STRONG&gt;&amp;nbsp;&lt;/STRONG&gt;(Jazz Village)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Jerome Jennings.&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;EM style="color: rgb(40, 40, 40); font-family: verdana, sans-serif; font-weight: bold;"&gt;&lt;FONT color="#282828"&gt;&lt;STRONG&gt;Solidarity&lt;/STRONG&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;(Iola)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Xacobe Martínez Antelo Trío.&amp;nbsp;&lt;EM&gt;Capturas&lt;/EM&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;(self produced)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Hank Mobley.&amp;nbsp;&lt;EM&gt;The Complete Hank Mobley Blue Note Sessions 1963-70&lt;/EM&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;(Mosaic Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;FONT color="#282828" style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;Pep Mula.&amp;nbsp;&lt;EM style="font-weight: bold;"&gt;MULA _\&lt;/EM&gt;&amp;nbsp;&lt;/FONT&gt;&lt;FONT color="#282828" style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;(Underpool)&lt;/FONT&gt;&lt;BR&gt;
&lt;FONT color="#282828" style="color: rgb(40, 40, 40); font-family: verdana, sans-serif; font-weight: bold;"&gt;&lt;STRONG&gt;Kassa Overall.&amp;nbsp;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;FONT color="#282828" style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;EM style="font-weight: bold;"&gt;&lt;STRONG&gt;Go Get Ice Cream and Listen to Jazz&lt;/STRONG&gt;&amp;nbsp;&lt;/EM&gt;(Kassa Overall LLC)&lt;/FONT&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Moisés P. Sánchez.&amp;nbsp;&lt;EM&gt;UNBALANCED Concerto For Ensemble&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&amp;nbsp;(Moisés Sánchez &amp;amp; Estudio Uno)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;Caroline Shaw / Attacca Quartet. Orange&lt;/STRONG&gt;&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&amp;nbsp;&lt;/STRONG&gt;&lt;SPAN&gt;(Nonesuch Records)&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Joshua Redman &amp;amp; Brooklyn Rider.&amp;nbsp;&lt;EM&gt;Sun on Sand&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT color="#282828" style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;STRONG&gt;&amp;nbsp;&lt;/STRONG&gt;(Nonesuch Records)&lt;/FONT&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Tomeka Reid Quartet.&amp;nbsp;&lt;EM&gt;Old New&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;STRONG&gt;&amp;nbsp;&lt;/STRONG&gt;(Cuneiform Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Marta Sánchez Quintet.&amp;nbsp;&lt;EM&gt;El Rayo de Luz&lt;/EM&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;(Fresh Sound New Talent)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Aki Takase Japanic.&lt;EM&gt;&amp;nbsp;Thema Prima&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;STRONG&gt;&amp;nbsp;&lt;/STRONG&gt;(Budapest Music Center Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;STRONG&gt;Vein/Norrbotten Big Band:&amp;nbsp;&lt;/STRONG&gt;&lt;EM style="font-weight: bold;"&gt;&lt;STRONG&gt;Symphonic&amp;nbsp;&lt;/STRONG&gt;&lt;/EM&gt;&lt;EM style="font-weight: bold;"&gt;&lt;STRONG&gt;Bop&lt;/STRONG&gt;&lt;/EM&gt;&amp;nbsp;(&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;Double Moon)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(40, 40, 40); font-family: verdana, sans-serif;"&gt;&lt;FONT color="#282828"&gt;Tobias Wiklund.&amp;nbsp;&lt;EM&gt;Where The Spirits Eat&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;STRONG&gt;&amp;nbsp;&lt;/STRONG&gt;(Stunt Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;FONT color="#282828"&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;FONT color="#282828"&gt;&lt;FONT color="#282828"&gt;&lt;SPAN&gt;&lt;FONT color="#282828" style="font-size: 12px;"&gt;&lt;STRONG&gt;&lt;BR&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;FONT color="#282828"&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;SPAN&gt;&lt;FONT color="#282828"&gt;&lt;FONT color="#282828"&gt;&lt;FONT color="#282828"&gt;&lt;SPAN&gt;&lt;FONT color="#282828" style="font-size: 12px;"&gt;&lt;STRONG&gt;Visit &lt;A href="https://medium.com/@Missingduke/30-buenos-discos-de-jazz-de-2019-6c8d0a7ec0c7" target="_blank"&gt;here&lt;/A&gt; or &lt;A href="http://www.missingduke.com/2019/12/30-buenos-discos-de-2019.html" target="_blank"&gt;here&lt;/A&gt; for deeper thoughts (in Spanish).&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8569121</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8569121</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Tue, 07 Jan 2020 22:50:56 GMT</pubDate>
      <title>Laurence Donohue-Greene</title>
      <description>&lt;H4&gt;&lt;FONT style="font-size: 14px; font-weight: normal;"&gt;Laurence Donohue-Greene (Managing Editor, &lt;EM&gt;The New York City Jazz Record&lt;/EM&gt;)&lt;/FONT&gt;&lt;/H4&gt;

&lt;H4&gt;&lt;FONT style="font-size: 14px; font-weight: normal;"&gt;BEST OF 2019&lt;/FONT&gt;&lt;/H4&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;MUSICIANS OF THE YEAR (2019)&lt;/P&gt;

&lt;P&gt;1) Kris Davis&lt;/P&gt;

&lt;P&gt;2) Jaimie Branch&lt;/P&gt;

&lt;P&gt;3) Joe Lovano&lt;/P&gt;

&lt;P&gt;4) Michael Leonhart&lt;/P&gt;

&lt;P&gt;5) Evan Parker&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;RECORD LABELS OF THE YEAR (2019)&lt;/P&gt;

&lt;P&gt;1) ECM&lt;/P&gt;

&lt;P&gt;2) Sunnyside&lt;/P&gt;

&lt;P&gt;3) Intakt&lt;/P&gt;

&lt;P&gt;4) International Anthem&lt;/P&gt;

&lt;P&gt;5) NoBusiness&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST NEW RELEASES (2019)&lt;/P&gt;

&lt;P&gt;1) Joe Lovano - &lt;EM&gt;Trio Tapestry&lt;/EM&gt; (ECM)&lt;/P&gt;

&lt;P&gt;2) Michael Leonhart Orchestra - &lt;EM&gt;Suite Extracts, Vol.1&lt;/EM&gt; (Sunnyside)&lt;/P&gt;

&lt;P&gt;3) Jaimie Branch - &lt;EM&gt;Fly or Die II: Bird Dogs of Paradise&lt;/EM&gt; (International Anthem)&lt;/P&gt;

&lt;P&gt;4) James Brandon Lewis - &lt;EM&gt;UnRuly Manifesto&lt;/EM&gt; (Relative Pitch)&lt;/P&gt;

&lt;P&gt;5) Alex Harding/Lucian Ban - &lt;EM&gt;Dark Blue&lt;/EM&gt; (Sunnyside)&lt;/P&gt;

&lt;P&gt;6) Per Texas Johansson - &lt;EM&gt;Stråk på himlen och stora hus&lt;/EM&gt; (Moserobie)&lt;/P&gt;

&lt;P&gt;7) Red Kite - &lt;EM&gt;Red Kite&lt;/EM&gt; (RareNoise)&lt;/P&gt;

&lt;P&gt;8) Steph Richards - &lt;EM&gt;Take The Neon Lights&lt;/EM&gt; (Birdwatcher)&lt;/P&gt;

&lt;P&gt;9) Gebhard Ullmann/Hans Ludemann/Oliver Portratz/Eric Schaefter - &lt;EM&gt;mikroPULS&lt;/EM&gt; (Intuition)&lt;/P&gt;

&lt;P&gt;10) Phil Slater - &lt;EM&gt;The Dark Pattern&lt;/EM&gt; (Earshift Music)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST VOCAL RELEASES (2019)&lt;/P&gt;

&lt;P&gt;1) Mary Stallings - &lt;EM&gt;Songs Were Made To Sing&lt;/EM&gt; (Smoke Sessions)&lt;/P&gt;

&lt;P&gt;2) Jazzmeia Horn - &lt;EM&gt;Love and Liberation&lt;/EM&gt; (Concord)&lt;/P&gt;

&lt;P&gt;3) Tomeka Reid/Kyoko Kitamura/Taylor Ho Bynum/Joe Morris - &lt;EM&gt;Geometry of Distance&lt;/EM&gt; (Relative Pitch)&lt;/P&gt;

&lt;P&gt;4) Veronica Swift - &lt;EM&gt;Confessions&lt;/EM&gt; (Mack Avenue)&lt;/P&gt;

&lt;P&gt;5) Dwight Trible - &lt;EM&gt;Mothership&lt;/EM&gt; (Gearbox)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST REISSUES (2019)&lt;/P&gt;

&lt;P&gt;1) Mal Waldron - &lt;EM&gt;Free at Last&lt;/EM&gt; (ECM)&lt;/P&gt;

&lt;P&gt;2) Erroll Garner - &lt;EM&gt;Campus Concert&lt;/EM&gt; (Mack Avenue-Octave Music)&lt;/P&gt;

&lt;P&gt;3) ICP Tentet - &lt;EM&gt;Tetterettet&lt;/EM&gt; (ICP - Corbett vs. Dempsey)&lt;/P&gt;

&lt;P&gt;4) Charles Tolliver All Stars - &lt;EM&gt;Right Now... and Then [Paper Man]&lt;/EM&gt; (Strata-East)&lt;/P&gt;

&lt;P&gt;5) Art Pepper - &lt;EM&gt;Promise Kept: The Complete Artists House Recordings&lt;/EM&gt; (Artists House-Omnivore)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST BOXED SETS (2019)&lt;/P&gt;

&lt;P&gt;1) Nat “King” Cole - &lt;EM&gt;Hitting’ The Ramp: The Early Years (1936-1943)&lt;/EM&gt; (Resonance)&lt;/P&gt;

&lt;P&gt;2) John Coltrane - &lt;EM&gt;1963: New Directions&lt;/EM&gt; (Impulse!)&lt;/P&gt;

&lt;P&gt;3) The Quintet [Paal Nilssen-Love, et al.] - &lt;EM&gt;Events 1998-1999&lt;/EM&gt; (Not Two)&lt;/P&gt;

&lt;P&gt;4) Art Pepper - &lt;EM&gt;The Complete Artists House Recordings&lt;/EM&gt; (Artists House-Omnivore)&lt;/P&gt;

&lt;P&gt;5) DKV Trio &amp;amp; Joe McPhee - &lt;EM&gt;The Fire Each Time&lt;/EM&gt; (Not Two)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST LATIN JAZZ (2019)&lt;/P&gt;

&lt;P&gt;1) Preservation Hall Jazz Band - &lt;EM&gt;A Tuba to Cuba&lt;/EM&gt; (Sub Pop)&lt;/P&gt;

&lt;P&gt;2) Jiggs Whigham BuJazzO - &lt;EM&gt;Cuban Fire&lt;/EM&gt; (Doublemoon)&lt;/P&gt;

&lt;P&gt;3) Michele Rosewoman New Yor-Uba - &lt;EM&gt;Hallowed&lt;/EM&gt; (Advance Dance Disques)&lt;/P&gt;

&lt;P&gt;4) Poncho Sanchez - &lt;EM&gt;Trane’s Delight&lt;/EM&gt; (Concord)&lt;/P&gt;

&lt;P&gt;5) Michel Camilo - &lt;EM&gt;Essence&lt;/EM&gt; (Resilience Music Alliance)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST LARGE ENSEMBLE RELEASES (2019)&lt;/P&gt;

&lt;P&gt;1) Michael Leonhart Orchestra - &lt;EM&gt;Suite Extracts, Vol.1&lt;/EM&gt; (Sunnyside)&lt;/P&gt;

&lt;P&gt;2) Wayne Horvitz European Orchestra - &lt;EM&gt;Live at the Bimhuis&lt;/EM&gt; (NovarraJazz)&lt;/P&gt;

&lt;P&gt;3) Ralph Peterson Gen-Next Big Band - &lt;EM&gt;Listen Up!&lt;/EM&gt; (Onyx)&lt;/P&gt;

&lt;P&gt;4) Jiggs Whigham BuJazzO - &lt;EM&gt;Cuban Fire&lt;/EM&gt; (Doublemoon)&lt;/P&gt;

&lt;P&gt;5) Tom Pierson Orchestra - &lt;EM&gt;Last Works&lt;/EM&gt; (Auteur)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST DEBUT RELEASES (2019)&lt;/P&gt;

&lt;P&gt;1) Larry Grenadier - &lt;EM&gt;The Gleaners&lt;/EM&gt; (ECM)&lt;/P&gt;

&lt;P&gt;2) Lisa Hoppe’s Third Reality - &lt;EM&gt;The Mighty Unlikely&lt;/EM&gt; (Jazzhaus Musik)&lt;/P&gt;

&lt;P&gt;3) Junius Paul - &lt;EM&gt;Ism&lt;/EM&gt; (International Anthem)&lt;/P&gt;

&lt;P&gt;4) Nick Dunston - &lt;EM&gt;Atlantic Extraction&lt;/EM&gt; (Out Of Your Head)&lt;/P&gt;

&lt;P&gt;5) Jamile - &lt;EM&gt;If You Could See Me Now&lt;/EM&gt; (s/r)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST TRIBUTES (2019)&lt;/P&gt;

&lt;P&gt;1) Joe Fiedler - &lt;EM&gt;Open Sesame&lt;/EM&gt; (Clean Feed) *Sesame Street tribute&lt;/P&gt;

&lt;P&gt;2) Iro Haarla/Ulf Krokfors/Barry Altschul - &lt;EM&gt;Around Again (The Music of Carla Bley)&lt;/EM&gt; (TUM)&lt;/P&gt;

&lt;P&gt;3) Ralph Peterson’s Messenger Legacy - &lt;EM&gt;Legacy Alive, Vol.6 at The Side Door&lt;/EM&gt; (Onyx)&lt;/P&gt;

&lt;P&gt;4) Paul Dunmall Sun Ship Quartet - &lt;EM&gt;John Coltrane 50th Memorial Concert at Café Oto&lt;/EM&gt;&amp;nbsp;(Confront)&lt;/P&gt;

&lt;P&gt;5) Dick Hyman/Ken Peplowski - &lt;EM&gt;Counterpoint: Lerner &amp;amp; Loewe&lt;/EM&gt; (Arbors)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST UNEARTHED GEMS/PREVIOUSLY UNRELEASED ARCHIVAL RECORDINGS (2019)&lt;/P&gt;

&lt;P&gt;1) Bill Dixon/Cecil Taylor - &lt;EM&gt;Duets 1992&lt;/EM&gt; (Triple Point)&lt;/P&gt;

&lt;P&gt;2) Sam Rivers Quintet - &lt;EM&gt;Archive Project, Vol.2: Zenith&lt;/EM&gt; (NoBusiness)&lt;/P&gt;

&lt;P&gt;3) Francois Tusques - &lt;EM&gt;Alors Nosferatu Combina Un Plan Ingénieux&lt;/EM&gt; (Finders Keepers)&lt;/P&gt;

&lt;P&gt;4) Ella Fitzgerald - &lt;EM&gt;Ella at The Shrine&lt;/EM&gt; (Verve)&lt;/P&gt;

&lt;P&gt;5) Charles Lloyd Quartet - &lt;EM&gt;Montreux Festival 1967 (Swiss Radio Days Jazz Series 46)&lt;/EM&gt; (TCB)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST JAZZ PUBLICATIONS (2019)&lt;/P&gt;

&lt;P&gt;1) &lt;EM&gt;Sweet Thunder: Duke Ellington’s Music in Nine Themes&lt;/EM&gt; by Jack Chambers (Milestones Music &amp;amp; Art)&lt;/P&gt;

&lt;P&gt;2) &lt;EM&gt;Rabbit’s Blues: The Life and Music of Johnny Hodges&lt;/EM&gt; by Con Chapman (Oxford University Press)&lt;/P&gt;

&lt;P&gt;3) &lt;EM&gt;Jason Moran&lt;/EM&gt; (Walker Arts Center)&lt;/P&gt;

&lt;P&gt;4) &lt;EM&gt;Cloud Arrangers&lt;/EM&gt; by Ziga Kortnik (Pega Society)&lt;/P&gt;

&lt;P&gt;5) &lt;EM&gt;Jazz From Detroit&lt;/EM&gt; by Mark Stryker (University of Michigan Press)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST SOLO ALBUMS (2019)&lt;/P&gt;

&lt;P&gt;1) Brian Charette - &lt;EM&gt;Beyond Borderline&lt;/EM&gt; (SteepleChase)&lt;/P&gt;

&lt;P&gt;2) Peter Brötzmann - &lt;EM&gt;Solo: I Surrender Dear&lt;/EM&gt; (Trost)&lt;/P&gt;

&lt;P&gt;3) Ed Neumeister - &lt;EM&gt;One and Only&lt;/EM&gt; (Meisteromusic)&lt;/P&gt;

&lt;P&gt;4) Ahmad Jamal - &lt;EM&gt;Ballades&lt;/EM&gt; (Jazzbook/Jazz Village)&lt;/P&gt;

&lt;P&gt;5) Fred Frith - &lt;EM&gt;Woodwork&lt;/EM&gt; (Klang Galerie)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST LIVE ALBUMS (2019)&lt;/P&gt;

&lt;P&gt;1) Evan Parker/Barry Guy/Paul Lytton - &lt;EM&gt;Concert in Vilnius&lt;/EM&gt; (NoBusiness)&lt;/P&gt;

&lt;P&gt;2) Torbjörn Zetterberg &amp;amp; The Great Question - &lt;EM&gt;Live&lt;/EM&gt; (Corbett vs. Dempsey)&lt;/P&gt;

&lt;P&gt;3) Ed Neumeister - &lt;EM&gt;One and Only&lt;/EM&gt; (Meisteromusic)&lt;/P&gt;

&lt;P&gt;4) Eve Risser - &lt;EM&gt;Après un Rêve&lt;/EM&gt; (Clean Feed)&lt;/P&gt;

&lt;P&gt;5) Mars Williams - &lt;EM&gt;An Ayler Xmas, Vol.3: Live in Krakow&lt;/EM&gt; (Not Two)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST LIVE CONCERTS (NYC) (2019)&lt;/P&gt;

&lt;P&gt;*&lt;FONT face="Calibri" style="font-size: 12px;"&gt;Ghost Train Orchestra "Plays Moondog” @&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;Winter Jazzfest, Le Poisson Rouge (1/5/19)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;*&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;Gary Bartz "Another Earth 50th Anniversary” w/Pharoah Sanders, Charles Tolliver, James King, Bruce Edwards, Nasheet Waits, Eric Berryman @Winter Jazzfest, Le Poisson Rouge (1/10/19)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;*&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;Arooj Aftab w/Vijay Iyer, Shahzad Ismaily @Joe's Pub&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;&amp;nbsp;(4/28/19)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;*&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;Barre Phillips solo @Zürcher Gallery (5/20/19)&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;*&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;Andrew Cyrille w/Tomeka Reid, Beatrice Capote @Vision Festival, Roulette (6/11/19)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;*&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;Kris Davis Trio w/William Parker, Jeff "Tain” Watts @Vision Festival, Roulette (6/14/19)&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;*&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;Michael Leonhart Orchestra @Jazz Standard (7/16/19)&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;*&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;David Tronzo solo and w/Stomu Takeishi, Ned Rothenberg @Ibeam Brooklyn (8/10/19)&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;*&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;Ravi Coltrane Quartet w/David Virelles, Dezron Douglas, Johnathan Blake @Summerstage Charlie Parker Jazz Festival, Marcus Garvey Park (8/24/19)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;*&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;Pat Metheny Side-Eye Trio w/James Francies, Marcus Gilmore @Sony Hall (9/11/19)&lt;/FONT&gt;&lt;FONT face="Calibri" style="font-size: 12px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8510743</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8510743</guid>
      <dc:creator>Laurence Donohue-Greene</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 06 Jan 2020 18:59:24 GMT</pubDate>
      <title>Rob Shepherd</title>
      <description>&lt;P&gt;Perhaps the most interesting takeaway from 2019 is the number of artists adapting music from the past into something new. Many of the past year’s releases have attempted to apply fresh approaches to a number of older musical forms including gypsy jazz, big band, electronic music, folk music, third stream, and world music.&amp;nbsp;-Rob Shepherd&lt;/P&gt;

&lt;H2&gt;10. James Carter –&amp;nbsp;Organ Trio: Live from Newport Jazz&amp;nbsp;(&lt;A href="https://nextbop.com/tag/blue-note"&gt;Blue Note&lt;/A&gt;)&lt;/H2&gt;

&lt;P&gt;Since the 1990's, James Carter has been among the best when it comes to saxophone technique and technical prowess. Additionally, he has a distinct and recognizable sound that is full of vitality and excitement. On this most recent album, recorded live from the 2018 Newport Jazz Festival, Carter and his organ trio – Alex White on drums and Gerard Gibbs on the Hammond B3 – bring this vigor to covering six pieces by guitarist Django Reinhardt. The pure energy of their performance renders pieces written over seventy years ago to sound like new. In full disclosure, I attended the performance which ultimately became this recording. Blue Note did a stellar job in capturing the saxophonist bandleader’s electric set from that afternoon.&lt;/P&gt;

&lt;H2&gt;9. Joel Ross –&amp;nbsp;KingMaker&amp;nbsp;(Blue Note)&lt;/H2&gt;

&lt;P&gt;Speaking of Newport, vibraphonist&amp;nbsp;&lt;A href="https://nextbop.com/tag/joel-ross"&gt;Joel Ross&lt;/A&gt;&amp;nbsp;was omnipresent at this past summer’s festival by the sea, performing in at multiple sets. These included one with Makaya McCraven’s band, another with In Common, and a third as part of a late-night show with Nate Smith’s Kinfolk. The fourth was with his “Good Vibes” group – the group featured here – with saxophonist&amp;nbsp;&lt;A href="https://nextbop.com/tag/immanuel-wilkins"&gt;Immanuel Wilkins&lt;/A&gt;, bassist&amp;nbsp;&lt;A href="https://nextbop.com/tag/benjamin-tiberio"&gt;Benjamin Tiberio&lt;/A&gt;, pianist&amp;nbsp;&lt;A href="https://nextbop.com/tag/jeremy-corren"&gt;Jeremy Corren&lt;/A&gt;, and drummer&amp;nbsp;&lt;A href="https://nextbop.com/tag/jeremy-dutton"&gt;Jeremy Dutton&lt;/A&gt;. To those who had been following his trajectory, Ross’ fantastic range and talent came as no surprise. Despite this, the brilliance of his debut was still unexpected to even the most attentive of fans. With 11 of its 12 tracks original compositions, one might anticipate Ross to take the spotlight but&amp;nbsp;Kingmaker&amp;nbsp;is truly a team effort with the other members of “Good Vibes”. It is reverent towards music that has come before, including Blue Note’s long history of stellar vibraphonists, while paving a new way forward.&lt;/P&gt;

&lt;H2&gt;8. Resavoir –&amp;nbsp;Resavoir&amp;nbsp;(&lt;A href="https://nextbop.com/tag/international-anthem"&gt;International Anthem&lt;/A&gt;)&lt;/H2&gt;

&lt;P&gt;International Anthem has showcased some of the most interesting artists over the last five years. Many of these have been by “beat scientists” like Makaya McCraven, or Jeff Parker who splice live recordings with studio beats and sounds. On&amp;nbsp;Resavoir, producer/arranger Will Miller adopts similar processes to turn big band music on its ear. Influenced as much by indie rock, hip hop, pop, soul and R&amp;amp;B as jazz, the Chicago based large ensemble is not subject to easy categorization. “Taking Flight” featuring guest Brandee Younger on harp is particularly awe-inspiring.&lt;/P&gt;

&lt;H2&gt;7. The Comet is Coming –&amp;nbsp;Trust in the Lifeforce of the Deep Mystery / The Afterlife&amp;nbsp;(&lt;A href="https://nextbop.com/tag/impulse-records"&gt;Impulse!&lt;/A&gt;)&lt;/H2&gt;

&lt;P&gt;This selection technically consists of two releases, the former from March and the latter from September, but should be viewed as a single work. Addressing the fleetingness of life and the afterlife, both can also be seen as follow-ups to&amp;nbsp;&lt;A href="https://nextbop.com/tag/the-comet-is-coming"&gt;The Comet is Coming&lt;/A&gt;’s first album, 2016’s&amp;nbsp;Channel the Spirits’ depiction of Armageddon. The two also further cement the London based trio as a spiritual successor to Sun Ra. Just as Sun Ra would draw upon many different musical strains – electronic and acoustic – to create something not heard anywhere else, these recordings forge through a wide variety of genres including rock, EDM, psychedelic rock, soul, funk, and jazz to forge a distinctive sound that is highly original and futuristic.&lt;/P&gt;

&lt;H2&gt;6. Kendrick Scott Oracle –&amp;nbsp;A Wall Becomes a Bridge&amp;nbsp;(Blue Note)&lt;/H2&gt;

&lt;P&gt;There are many ways to interpret the title of this 12-song cycle by drummer&amp;nbsp;&lt;A href="https://nextbop.com/tag/kendrick-scott"&gt;Kendrick Scott&lt;/A&gt;&amp;nbsp;and his Oracle band, namely pianist&amp;nbsp;&lt;A href="https://nextbop.com/tag/taylor-eigsti"&gt;Taylor Eigsti&lt;/A&gt;, guitarist&amp;nbsp;&lt;A href="https://nextbop.com/tag/mike-moreno"&gt;Mike Moreno&lt;/A&gt;, woodwind player&amp;nbsp;&lt;A href="https://nextbop.com/tag/john-ellis"&gt;John Ellis&lt;/A&gt;, bassist&amp;nbsp;&lt;A href="https://nextbop.com/tag/joe-sanders"&gt;Joe Sanders&lt;/A&gt;, and special guest turntablist DJ&amp;nbsp;&lt;A href="https://nextbop.com/tag/jahi-sundance"&gt;Jahi Sundance&lt;/A&gt;. One could interpret it as political commentary or also as Scott’s overcoming of creative block in forming its pieces. While there is truth to both viewpoints, it is perhaps best seen as a crossing point between electronic music and acoustic jazz. While the mixing of the two genres is a heavily treaded ground, such efforts generally lean more towards one direction or the other.&amp;nbsp;A Wall Becomes a Bridge, by contrast, pulls from the history of both to find a new path across. The music is organic, profound, and powerful.&lt;/P&gt;

&lt;H2&gt;5. Matana Roberts –&amp;nbsp;Coin Coin Chapter Four: Memphis&amp;nbsp;(Constellation)&lt;/H2&gt;

&lt;P&gt;Folk music in its strictest sense is the traditional works of a people in a given country or region. This definition does not easily apply to the United States, a nation in which many cultures maintain their core while also acquiring concepts from other traditions. Instead, a true American folk musician should amalgamate various influences. Viewed properly, “sound quilter”/woodwind player/vocalist Matana Roberts is the quintessential American folk musician. As on the preceding three Coin Coin volumes,&amp;nbsp;Memphis&amp;nbsp;weaves various threads of other American music – spirituals, bluegrass, blues, spoken word, and jazz – to tell a cohesive story. In the process, she employs nontraditional jazz instrumentation including fiddle, accordion, electric guitar, oud, and jaw harp to craft music that is haunting, beautiful, and memorable.&lt;/P&gt;

&lt;H2&gt;4. Jan Garbarek and The Hilliard Ensemble –&amp;nbsp;Remember Me, My Dear&amp;nbsp;(&lt;A href="https://nextbop.com/tag/ecm"&gt;ECM&lt;/A&gt;)&lt;/H2&gt;

&lt;P&gt;In 1994, Norweigan saxophonist Garbarek and early music vocalists from the Hilliard Ensemble released&amp;nbsp;Officium&amp;nbsp;, fusing jazz with Gregorian chant to produce an ethereal sound not previously heard elsewhere. Writer Marius Gabriel described it as “what Coltrane hears in heaven” and it remains one of ECM’s finest.&amp;nbsp;Remember Me, My Dearcaptures the same group, this time on the final tour before the Hilliard Ensemble’s disbanding in 2014. Although hardly the only follow-up, it is the one closest to capturing the magic of the original. It is a fitting celebration of both&amp;nbsp;Officium’s&amp;nbsp;25th anniversary and the label’s 50th. The otherworldly sonic qualities of this release are simultaneously ancient and contemporary, timely and timeless.&lt;/P&gt;

&lt;H2&gt;3. Linda May Han Oh –&amp;nbsp;Aventurine&amp;nbsp;(&lt;A href="https://nextbop.com/tag/biophilia"&gt;Biophilia&lt;/A&gt;)&lt;/H2&gt;

&lt;P&gt;Like the shimmering translucent mineral from which&amp;nbsp;Aventurine’s name is derived, bassist&amp;nbsp;&lt;A href="https://nextbop.com/tag/linda-may-han-oh"&gt;Linda May Han Oh&lt;/A&gt;’s latest adds a new sparkle to the longstanding Third Stream blend of classical and jazz. Combining three different types of quartets – jazz (May Han Oh, saxophonist&amp;nbsp;&lt;A href="https://nextbop.com/tag/greg-ward"&gt;Greg Ward&lt;/A&gt;, pianist&amp;nbsp;&lt;A href="https://nextbop.com/tag/matt-mitchell"&gt;Matt Mitchell&lt;/A&gt;, and drummer/vibraphonist&amp;nbsp;&lt;A href="https://nextbop.com/tag/ches-smith"&gt;Ches Smith&lt;/A&gt;), string, and vocal, the bandleader is able to extract and synthesize the finest parts of all three groups.&amp;nbsp;Aventurine&amp;nbsp;does not force either jazz or classical together, but rather creates a middle ground.&lt;/P&gt;

&lt;H2&gt;2. Noah Preminger –&amp;nbsp;Zigsaw: The Music of Steve Lampert&amp;nbsp;(Self Release)&lt;/H2&gt;

&lt;P&gt;Dreams are a strange thing. Sometimes they reflect normal occurrences from our lives. Far more frequently, however, they consist of a union of the usual and the unusual in which the line between the two is blurred or even nonexistent. On&amp;nbsp;Zigsaw, criminally underrated composer Lampert produced a singular 49-minute piece focused on dreams which similarly intersperses familiar and foreign sounds. Even the title, a portmanteau of zigzag and jigsaw, evokes this view of pieces being placed together but not in a traditional straight or coherent line. Bringing this artistic vision to life is a top-caliber group of&amp;nbsp;&lt;A href="https://nextbop.com/tag/noah-preminger"&gt;Noah Preminger&lt;/A&gt;&amp;nbsp;on tenor sax, trumpeter&amp;nbsp;&lt;A href="https://nextbop.com/tag/jason-palmer"&gt;Jason Palmer&lt;/A&gt;, pianist&amp;nbsp;&lt;A href="https://nextbop.com/tag/kris-davis"&gt;Kris Davis&lt;/A&gt;, drummer&amp;nbsp;&lt;A href="https://nextbop.com/tag/rudy-royston"&gt;Rudy Royston&lt;/A&gt;, alto saxophonist&amp;nbsp;&lt;A href="https://nextbop.com/tag/john-ogallagher"&gt;John O’Gallagher&lt;/A&gt;, bassist&amp;nbsp;&lt;A href="https://nextbop.com/tag/kim-cass"&gt;Kim Cass&lt;/A&gt;, and Rob Schwimmer on the clavinet and Haken Continuum synthesizer. The end result is a music of paradoxes: electric and acoustic, avant-garde and highly listenable, revolutionary and traditional.&lt;/P&gt;

&lt;H2&gt;1. Mark de Clive-Lowe –&amp;nbsp;Heritage I and II&amp;nbsp;(&lt;A href="https://nextbop.com/tag/ropeadope"&gt;Ropeadope&lt;/A&gt;)&lt;/H2&gt;

&lt;P&gt;Over the past decade, there have been two major trends in jazz. One has combined the music with more “popular” music, most notably electronic, hip hop, or R&amp;amp;B. The other has been to merge it with world music, particularly that of non-Western cultures. It is very rare for the two approaches to meet together with jazz in a unified work. With&amp;nbsp;Heritage,&amp;nbsp;&lt;A href="https://nextbop.com/tag/mark-de-clive-lowe"&gt;Mark de Clive-Lowe&lt;/A&gt;&amp;nbsp;obliterates this imaginary divide. The New Zealand based pianist/composer/producer utilizes his background as an electronic and jazz musician and the traditional music of his mother’s homeland, Japan, to develop a gorgeous two album masterpiece. The synthesis of such diverse styles at the hands of the wrong artist could result in a muddled mess. Instead, with assistance from woodwind players&amp;nbsp;&lt;A href="https://nextbop.com/tag/josh-johnson"&gt;Josh Johnson&lt;/A&gt;&amp;nbsp;and&amp;nbsp;&lt;A href="https://nextbop.com/tag/teodross-avery"&gt;Teodross Avery&lt;/A&gt;, bassist&amp;nbsp;&lt;A href="https://nextbop.com/tag/brandon-eugene-owens"&gt;Brandon Eugene Owens&lt;/A&gt;, and percussionists&amp;nbsp;&lt;A href="https://nextbop.com/tag/carlos-nino"&gt;Carlos Nino&lt;/A&gt;&amp;nbsp;and&amp;nbsp;&lt;A href="https://nextbop.com/tag/brandon-combs"&gt;Brandon Combs&lt;/A&gt;, de Clive Lowe’s music is personal and touching. Despite its name,&amp;nbsp;Heritage&amp;nbsp;is not solely focused on the past. It is a deep exploration of not just where the artist comes from, but also who he is. Sincere, heartfelt, and joyous,&amp;nbsp;Heritage&amp;nbsp;sends a clear message that although our background influences who we are, it does not define us.&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8773574</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8773574</guid>
      <dc:creator>Rob Shepherd</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 05 Jan 2020 01:19:15 GMT</pubDate>
      <title>Dana Elise</title>
      <description>&lt;P&gt;My picks for 2019... in no particular order. Great music.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;James Brandon Lewis- An UnRuly Manifesto (Relative Pitch)&lt;/P&gt;

&lt;P&gt;Brent Birckhead- BIRCKHEAD (Revive Music)&lt;/P&gt;

&lt;P&gt;Baczkowski, Lopez, Corsano- Old Smoke (Relative Pitch)&lt;/P&gt;

&lt;P&gt;Joel Ross- Kingmaker (Blue Note)&lt;/P&gt;

&lt;P&gt;Cyrille Aimée- Move On: A Sondheim Adventure (Mack Avenue)&lt;/P&gt;

&lt;P&gt;Jacky Terrasson- 53 (Blue Note)&lt;/P&gt;

&lt;P&gt;Monty Alexander- Wareika Hill: Rastamonk Vibrations (MACD)&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8478144</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8478144</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Tue, 31 Dec 2019 14:40:06 GMT</pubDate>
      <title>C. Andrew Hovan</title>
      <description>&lt;P&gt;&lt;U&gt;Top Jazz Picks for 2019&lt;/U&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;New Releases&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Mike Le Donne- &lt;EM&gt;Partners in Time&lt;/EM&gt; (Savant)&lt;/P&gt;

&lt;P&gt;Akiko/Hamilton/Dechter- &lt;EM&gt;Equal Time&lt;/EM&gt; (Capri)&lt;/P&gt;

&lt;P&gt;Dave Stryker- &lt;EM&gt;Eight Track III&lt;/EM&gt; (StrikeZone)&lt;/P&gt;

&lt;P&gt;Brian Lynch Big Band- &lt;EM&gt;The Omni-American Book Club/My Journey Through Literature in Music&lt;/EM&gt; (Hollistic MusicWorks)&lt;/P&gt;

&lt;P&gt;Ralph Peterson's Gen-Next Big Band- &lt;EM&gt;Listen Up!&lt;/EM&gt; (Onyx)&lt;/P&gt;

&lt;P&gt;Ralph Peterson &amp;amp; The Messenger Legacy- &lt;EM&gt;Legacy Alive: Vol. 6 Live at the Sidedoor&amp;nbsp;&lt;/EM&gt;(Onyx)&lt;/P&gt;

&lt;P&gt;Herlin Riley- &lt;EM&gt;Perpetual Optimism&lt;/EM&gt; (Mack Avenue)&lt;/P&gt;

&lt;P&gt;Steve Davis- &lt;EM&gt;Correlations&lt;/EM&gt; (Smoke Sessions)&lt;/P&gt;

&lt;P&gt;Harold Mabern- &lt;EM&gt;The Iron Man: Live at Smoke&lt;/EM&gt; (Smoke Sessions)&lt;/P&gt;

&lt;P&gt;Walt Weiskopf European Quartet- &lt;EM&gt;Worldwide&lt;/EM&gt; (Orenda)&lt;/P&gt;

&lt;P&gt;Joey DeFrancesco- &lt;EM&gt;In the Key of the Universe&lt;/EM&gt; (Mack Avenue)&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;Reissues/Historic Releases&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Tamba 4- &lt;EM&gt;California Soul&lt;/EM&gt; (Elemental Music)&lt;/P&gt;

&lt;P&gt;Stan Getz- &lt;EM&gt;Getz at the Gate:&lt;/EM&gt; &lt;EM&gt;Quartet Live at the Village Gate&lt;/EM&gt; (Verve)&lt;/P&gt;

&lt;P&gt;Bill Evans- &lt;EM&gt;Evans in England&lt;/EM&gt; (Resonance)&lt;/P&gt;

&lt;P&gt;Johnny Griffin/Eddie "Lockjaw" Davis- &lt;EM&gt;Ow! Live at the Penthouse&lt;/EM&gt; (Reel Music)&lt;/P&gt;

&lt;P&gt;Andrew Hill- &lt;EM&gt;Black Fire&lt;/EM&gt; (Blue Note Tone Poet Series)&lt;/P&gt;

&lt;P&gt;John Coltrane- &lt;EM&gt;Blue World&lt;/EM&gt; (Impulse)&lt;/P&gt;

&lt;P&gt;Sam Rivers- &lt;EM&gt;Contours&lt;/EM&gt; (Blue Note Tone Poet Series)&lt;/P&gt;

&lt;P&gt;Chick Corea- &lt;EM&gt;Now He Sings, Now He Sobs&lt;/EM&gt; (Blue Note Tone Poet Series)&lt;/P&gt;

&lt;P&gt;Grant Green- &lt;EM&gt;Sunday Morning&lt;/EM&gt; (Slow Down Sounds)&lt;/P&gt;

&lt;P&gt;Azar Lawrence- &lt;EM&gt;Summer Solstice&lt;/EM&gt; (Craft Recordings)&lt;/P&gt;

&lt;P&gt;John Coltrane- &lt;EM&gt;Coltrane '58: The Prestige Recordings&lt;/EM&gt; (Craft Recordings)&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8435785</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8435785</guid>
      <dc:creator>C. Andrew Hovan</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 24 Dec 2019 13:59:54 GMT</pubDate>
      <title>John Chacona</title>
      <description>&lt;P&gt;Pretty good year, I think. There were 369 releases in my 2019 file, and 63 of them made my semifinal list. I won't list the honorable mentions here; there are just too many of them. The list below exactly mirrors my NPR Poll list.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Favorite new releases&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Kris Davis:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Diatom Ribbons (Pyroclastic Records)&lt;BR&gt;
&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Tomeka Reid Quartet:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Old New (Cuneiform)&lt;BR&gt;
&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Tyshawn Sorey &amp;amp; Marilyn Crispell: The Adornment Of Time (Pi Recordings)&lt;BR&gt;
&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Jaimie Branch: Fly Or Die Ii: Bird Dogs Of Paradise (International Anthem)&lt;BR&gt;
&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Anthony Braxton: Quartet (New Haven) 2014 (Firehouse 12)&lt;BR&gt;
&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; The Art Ensemble Of Chicago: We Are On The Edge: A 50th Anniversary Celebration (Pi Recordings)&lt;BR&gt;
&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Greg Ward and his Rogue Parade Ensemble:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Stomping Off From Greenwood (Greenleaf Music)&lt;BR&gt;
&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Mark Dresser Seven:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Ain't Nothing but a Cyber Coup &amp;amp; You (Clean Feed)&lt;BR&gt;
&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Moppa Elliott:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Jazz Band/Rock Band/Dance Band (Hot Cup Records)&lt;BR&gt;
&lt;SPAN&gt;10.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Mark Lomax, II: &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;400: An Afrikan Epic (&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;CFG Multimedia&lt;/FONT&gt;&lt;/SPAN&gt;)&lt;BR&gt;
&lt;BR&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Reissues or Historical albums&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; The Art Ensemble Of Chicago And Associated Ensembles (ECM)&lt;BR&gt;
&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Nat King Cole: Hittin' The Ramp: The Early Years 1936-1943 (Resonance Records)&lt;BR&gt;
&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Allen Lowe: An Avant Garde of Our Own (ESP Disk)

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Best vocal album&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Jeanne Lee/Ran Blake: The Newest Sound You Never Heard (A-Side Records)&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;and if that doesn't qualify as a new release, then:&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Catherine Russell: Alone Together (Dot Time)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Best debut album&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Harish Raghavan:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Calls for Action (Whirlwind Recordings)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Best Latin jazz CD&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Miguel Zenón: Sonero: The Music of Ismael Rivera (Miel Music)&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8375106</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8375106</guid>
      <dc:creator>John Chacona</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 23 Dec 2019 20:04:01 GMT</pubDate>
      <title>W. Royal Stokes</title>
      <description>&lt;P&gt;BEST RELEASES of 2019&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Nota bene: All of my choices are in alphabetical order by artist and thus are equally rated.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;10 BEST NEW RELEASES&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Terri Lyne Carrington and Social Science, Waiting Game (MOTEMA MUSIC, LLC)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Anat Cohen Tentet, Triple Helix (Anzic Records LLC)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;The Diva Jazz Orchestra, Diva &amp;amp; The Boys (MCG Jazz)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Ivo Perelman, Matthew Shipp, William Parker, Bobby Kapp, Ineffable Joy (Esp Disk Ltd.)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Scott Robinson, Tenormore (Arbors Records)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Jim Robitaille, View from Within (Whaling City Sound)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Marcus Shelby Orchestra, Transitions (MSO Records)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Tyshawn Sorey and Marilyn Crispell, The Adornment Of Time (Pi Recordings)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Carol Sudhalter, Live At Saint Peter's Church (Alfa Music)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Rodney Whitaker, All Too Soon (Origin Records)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;3 BEST REISSUE OR HISTORICAL&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Louis Armstrong, Live In Europe (Dot Time Records)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Betty Carter, The Music Never Stops (Blue Engine Records)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Buddy Rich, Just In Time: The Final Recording (Gearbox Records)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST VOCAL RELEASE&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Calabria Foti, Prelude To A Kiss (MoCo Records)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST DEBUT RELEASE&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;John Yao's Triceratops, How We Do (See Tao Recordings)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST LATIN JAZZ RELEASE&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Pablo Lanouguere Quintet, Eclectico (PabloLanouguere.com)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Please go to WRoyalstokes.com for my additional “NOTABLE RELEASES OF 2019” as well as my “A ROUNDUP OF 160 OR SO JAZZ, BLUES, BEYOND, AND OTHER BOOKS PUBLISHED IN THE PAST YEAR OR SO.”&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8367334</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8367334</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Sun, 22 Dec 2019 16:40:03 GMT</pubDate>
      <title>J Hunter</title>
      <description>&lt;P&gt;&lt;STRONG&gt;&lt;A href="https://www.nippertown.com/2019/12/21/best-of-2019-top-10-jazz2k-discs/" target="_blank"&gt;TOP 10 JAZZ2K DISCS OF 2019&lt;/A&gt;:&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;1) Ryan Keberle &amp;amp; Catharsis -- &lt;EM&gt;The Hope I Hold&lt;/EM&gt; (Greenleaf Music)&lt;/P&gt;

&lt;P&gt;2) JD Allen -- &lt;EM&gt;Barracoon&lt;/EM&gt; (Savant)&lt;/P&gt;

&lt;P&gt;3) Allison Miller's Boom Tic Boom -- &lt;EM&gt;Glitter Wolf&lt;/EM&gt; (Royal Potato Family)&lt;/P&gt;

&lt;P&gt;4) Melissa Aldana -- &lt;EM&gt;Visions&lt;/EM&gt; (Motema)&lt;/P&gt;

&lt;P&gt;5) Remy Le Boeuf -- &lt;EM&gt;Light as a Word&lt;/EM&gt; (Outside In Music)&lt;/P&gt;

&lt;P&gt;6) Chris Potter -- &lt;EM&gt;Circuits&lt;/EM&gt; (Edition Records)&lt;/P&gt;

&lt;P&gt;7) Kendrick Scott Oracle -- &lt;EM&gt;A Wall becomes A Bridge&lt;/EM&gt; (Blue Note)&lt;/P&gt;

&lt;P&gt;8) Kris Davis -- &lt;EM&gt;Diatom Ribbons&lt;/EM&gt; (Pyroclastic Records)&lt;/P&gt;

&lt;P&gt;9) Etienne Charles -- &lt;EM&gt;Carnival: The Sound of a People, Vol. 1&lt;/EM&gt; (Culture Shock Music)&lt;/P&gt;

&lt;P&gt;10) Avery Sharpe -- &lt;EM&gt;400: An African American Musical Portrait&lt;/EM&gt; (JKNM Records)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;A href="https://www.nippertown.com/2019/12/12/best-of-2019-the-2019-jazz2k-awards-and-the-rest-of-the-best/" target="_blank"&gt;2019 JAZZ2K AWARDS&lt;/A&gt;:&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;BEST VOCAL DISC:&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Sivan Arbel -- &lt;EM&gt;Change of Light&lt;/EM&gt; (Self-released)&lt;/P&gt;

&lt;P&gt;BEST SOLO OR DUO DISC:&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Alfredo Rodriguez / Pedrito Martinez -- &lt;EM&gt;Duologue&lt;/EM&gt; (Mack Avenue)&lt;/P&gt;

&lt;P&gt;BEST PARTY DISC:&lt;/P&gt;

&lt;P&gt;Bonerama -- &lt;EM&gt;Bonerama Plays Zeppelin&lt;/EM&gt; (Basin Street)&lt;/P&gt;

&lt;P&gt;ROOKIE OF THE YEAR (Best Debut as a Leader):&lt;/P&gt;

&lt;P&gt;Idan Morim -- &lt;EM&gt;I.M.&lt;/EM&gt; (Outside In Music)&lt;/P&gt;

&lt;P&gt;LIFETIME ACHIEVEMENT AWARD:&lt;/P&gt;

&lt;P&gt;Tom Harrell -- &lt;EM&gt;Infinity&lt;/EM&gt; (HighNote)&lt;/P&gt;

&lt;P&gt;LOCAL HERO AWARD (Best Local or Regional Release):&lt;/P&gt;

&lt;P&gt;Bright Dog Red -- &lt;EM&gt;How's By You?&lt;/EM&gt; (Ropeadope)&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8356035</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8356035</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Sun, 22 Dec 2019 11:59:36 GMT</pubDate>
      <title>Dan Bilawsky</title>
      <description>&lt;P&gt;I had the pleasure of putting together a number of "best of" lists this year.&amp;nbsp; They're largely consistent, though each varies ever so slightly due to criteria, including date windows, and formatting regarding additional categories (i.e. Vocals, Latin, Historical).&amp;nbsp; This is the list/ballot I submitted for Francis Davis' annual poll--the most respected and widely-read of the year-end jazz polls.&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;&lt;BR&gt;
New Releases:&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;1. Fabian Almazan, &lt;EM&gt;This Land Abounds with Life&lt;/EM&gt; (Biophilia)&lt;BR&gt;
&lt;BR&gt;&lt;/FONT&gt;&lt;SPAN&gt;2. Jennifer Wharton’s Bonegasm,&lt;/SPAN&gt; &lt;EM style="font-size: 13px; font-family: Arial, sans-serif;"&gt;Bonegasm&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;(Sunnyside)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;3. Dan McCarthy,&amp;nbsp;&lt;EM&gt;Epoch&lt;/EM&gt;&amp;nbsp;(Origin)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;4. Skyjack,&amp;nbsp;&lt;EM&gt;The Hunter&lt;/EM&gt;&amp;nbsp;(Enja/Yellowbird)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;5. Youn Sun Nah,&amp;nbsp;&lt;EM&gt;Immersion&amp;nbsp;&lt;/EM&gt;(Warner Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;6. Peter Eldridge/Kenny Werner, &lt;EM&gt;Somewhere&lt;/EM&gt;&amp;nbsp;(Rosebud Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;7. Sara Gazarek, &lt;EM&gt;Thirsty Ghost&lt;/EM&gt; (MRI)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;8. Matt Mitchell, &lt;EM&gt;Phalanx Ambassadors&lt;/EM&gt;&amp;nbsp;(Pi)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;9. Scott Robinson,&amp;nbsp;&lt;EM&gt;Tenormore&amp;nbsp;&lt;/EM&gt;(Arbors)&lt;/FONT&gt;&lt;FONT color="#000000"&gt;&lt;BR&gt;
&lt;BR&gt;&lt;/FONT&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;10. Brittany Anjou,&lt;/FONT&gt; &lt;EM&gt;&lt;SPAN style="background-color: white;"&gt;&lt;FONT style="font-size: 13px;" color="#222222"&gt;Enamiĝo Reciprokataj&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN style="background-color: white;"&gt;&lt;FONT style="font-size: 13px;" color="#222222"&gt;(Origin)&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Reissues/Historical:&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;1. John Coltrane,&amp;nbsp;&lt;EM&gt;Blue World&lt;/EM&gt;&amp;nbsp;(Impulse!)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;2. Eric Dolphy,&amp;nbsp;&lt;EM&gt;Musical Prophet: The Expanded 1963 New York Studio Sessions&amp;nbsp;&lt;/EM&gt;(Resonance)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;3. Wes Montgomery,&amp;nbsp;&lt;EM&gt;Back on Indiana Avenue: The Carroll DeCamp Recordings&lt;/EM&gt;&amp;nbsp;(Resonance)&lt;/FONT&gt;&lt;FONT color="#000000"&gt;&lt;BR&gt;
&lt;BR&gt;&lt;/FONT&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;Vocal:&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Youn Sun Nah,&amp;nbsp;&lt;EM&gt;Immersion&amp;nbsp;&lt;/EM&gt;(Warner Music)&lt;BR&gt;
&lt;BR&gt;
&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Debut:&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Jennifer Wharton’s Bonegasm, &lt;EM&gt;Bonegasm&lt;/EM&gt;&amp;nbsp;(Sunnyside)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Latin:&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Bill O’Connell and The Afro Caribbean Ensemble, &lt;EM&gt;Wind Off The Hudson&lt;/EM&gt; (Savant)&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8354131</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8354131</guid>
      <dc:creator>Dan Bilawsky</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 20 Dec 2019 20:21:05 GMT</pubDate>
      <title>Rick Mitchell</title>
      <description>&lt;P&gt;Rick Mitchell Best of 2019&lt;/P&gt;

&lt;P&gt;In recent years, I have been listing top tracks played on my radio programs Jazz In the New Millennium (syndicated nationally by the African American Public Radio Consortium) and The Motif (on KBOO-FM in Portland, Oregon). This year, I have an actual top ten albums list, all of which sound good at home listening to the CD with the headphones or one track at a time while driving in the car. I recently interviewed Branford Marsalis, who commented on what he perceives to be the disconnect between the music that critics like as reflected by the annual JJA and NPR polls and what the listening public -- not necessarily the smooth-jazz/R&amp;amp;B audience but the relatively educated real jazz audience -- actually likes. He told me, "They are trying to redefine what jazz is, but they won't succeed." Notice I didn't vote for him either, but he has a point... I try to program music that both upholds the highest standards of musicianship for jazz in the 21st Century and has the potential to make people tap their feet and nod their heads in the way, as Branford noted, that listening to Charlie Parker did. It's also worth noting that my choices draw from regional sources beyond the New York solar system: San Francisco, Trinidad, Jamaica, New Orleans, Detroit, Dallas, Cuba... (BTW: The top three albums on my list share a drummer: Obed Calviere, from Miami. Dude can play.)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;I've also cited ten additional non-jazz albums, though I no longer keep up with popular music enough to claim any legitimacy for this as a ten-best list. It's just what I enjoy. Peace. &amp;nbsp;&lt;/P&gt;

&lt;P&gt;Top Jazz Albums&lt;/P&gt;

&lt;P&gt;1. SFJAZZ Collective, &lt;EM&gt;The Music of Antonio Carlos Jobim &amp;amp; Original Compositions&lt;/EM&gt; (SFJAZZ)&lt;/P&gt;

&lt;P&gt;2. Etienne Charles, &lt;EM&gt;Carnival The Sound of a People Vol. 1&lt;/EM&gt; (Culture Shock)&lt;/P&gt;

&lt;P&gt;3. Monty Alexander, &lt;EM&gt;Wareika Hill Rastamonk Vibrations&lt;/EM&gt; (MACO)&lt;/P&gt;

&lt;P&gt;4. Herlin Riley, &lt;EM&gt;Perpetual Optimism&lt;/EM&gt; (Mack Avenue)&lt;/P&gt;

&lt;P&gt;5. James Carter Organ Trio, &lt;EM&gt;Live From Newport Jazz&lt;/EM&gt; (Blue Note)&lt;/P&gt;

&lt;P&gt;6. Ulysses Owens Jr., &lt;EM&gt;Songs of Freedom&lt;/EM&gt; (Resilience)&lt;/P&gt;

&lt;P&gt;7. Jazzmeia Horn, &lt;EM&gt;Love &amp;amp; Liberation&lt;/EM&gt; (Concord Jazz)&lt;/P&gt;

&lt;P&gt;8. Roberto Fonseca, &lt;EM&gt;Yesun&lt;/EM&gt; (Mack Avenue)&lt;/P&gt;

&lt;P&gt;9. Christian Scott Atunde Adjua, &lt;EM&gt;Ancestral Recall&lt;/EM&gt; (Stretch Music/ropeadope)&lt;/P&gt;

&lt;P&gt;10. Mike Clark, &lt;EM&gt;Indigo Blue Live at the Iradium&lt;/EM&gt; (ropeadope)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Top Debut&lt;/P&gt;

&lt;P&gt;1. Joel Ross, &lt;EM&gt;Kingmaker&lt;/EM&gt; (Blue Note)&lt;/P&gt;

&lt;P&gt;Top Reissue&lt;/P&gt;

&lt;P&gt;1. Errol Garner, &lt;EM&gt;Closeup in Swing&lt;/EM&gt; (Mack Avenue/Octave)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Top Americana/World Albums&lt;/P&gt;

&lt;P&gt;1. Yola, &lt;EM&gt;Walk Through Fire&lt;/EM&gt; (Easy Eye Sound)&lt;/P&gt;

&lt;P&gt;2. Lakou Mizik, &lt;EM&gt;HaitiaNola&lt;/EM&gt; (Cumbancha)&lt;/P&gt;

&lt;P&gt;3. Keb Mo, &lt;EM&gt;Oklahoma&lt;/EM&gt; (Concord)&lt;/P&gt;

&lt;P&gt;4. Tedeschi Trucks Band, &lt;EM&gt;Signs&lt;/EM&gt; (Fantasy)&lt;/P&gt;

&lt;P&gt;5. Jimmie Vaughan, &lt;EM&gt;Baby, Please Come Home&lt;/EM&gt; (Last Music/JLV)&lt;/P&gt;

&lt;P&gt;6. Santana, &lt;EM&gt;Africa Speaks&lt;/EM&gt; (Concord)&lt;/P&gt;

&lt;P&gt;7. North Mississippi Allstars, &lt;EM&gt;Up and Rolling&lt;/EM&gt; (New West)&lt;/P&gt;

&lt;P&gt;8. Brittany Howard, &lt;EM&gt;Jaime&lt;/EM&gt; (ATO)&lt;/P&gt;

&lt;P&gt;9. Angelique Kidjo, &lt;EM&gt;Celia&lt;/EM&gt; (Verve)&lt;/P&gt;

&lt;P&gt;10. Rhiannon Giddens with Francesco Turrisi, &lt;EM&gt;There Is No Other&lt;/EM&gt; (Nonesuch)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8340261</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8340261</guid>
      <dc:creator>Rick Mitchell</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 15 Dec 2019 17:40:51 GMT</pubDate>
      <title>Jeffrey Siegel</title>
      <description>&lt;P&gt;Melissa Aldana - "Visions"&lt;/P&gt;

&lt;P&gt;Branford Marsalis Quartet - "The Secret Between the Shadow and the Soul"&lt;/P&gt;

&lt;P&gt;Chick Corea, Christian McBride, Brian Blade - "Trilogy 2"&lt;/P&gt;

&lt;P&gt;Veronica Swift - "Confessions"&lt;/P&gt;

&lt;P&gt;Joel Ross - "Kingmaker"&lt;/P&gt;

&lt;P&gt;Cyrille Aimee - "Move On - A Sondheim Adventure"&lt;/P&gt;

&lt;P&gt;Miguel Zenon - "Sonero: The Music of Ismael Rivera"&lt;/P&gt;

&lt;P&gt;Ethan Iverson Quintet with Tom Harrell - "Common Practices"&lt;/P&gt;

&lt;P&gt;Johnanthan Blake - "Trion"&lt;/P&gt;

&lt;P&gt;Bill Frisell/Thomas Morgan - "Epistrophy"&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8286791</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8286791</guid>
      <dc:creator>Jeffrey Siegel</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 12 Dec 2019 14:41:26 GMT</pubDate>
      <title>Sammy Stein</title>
      <description>&lt;P&gt;1) Ivo Perelman/Matthew Shipp/Bobby Kapp/William Parker - Ineffable joy ( ESP)&lt;/P&gt;

&lt;P&gt;2) Fire! Orchestra - Arrival ( Rune Gramafon)&lt;/P&gt;

&lt;P&gt;3) Peter Brotzmann - I Surrender dear ( Trost)&amp;nbsp;&amp;nbsp;&lt;/P&gt;

&lt;P&gt;4) Erodoto Project - Molon Labe ( Cultural Bridge)&lt;/P&gt;

&lt;P&gt;5) day and Taxi - Devotion (Percaso)&lt;/P&gt;

&lt;P&gt;6) Shifa - Live At Café Oto (577 Records)&lt;/P&gt;

&lt;P&gt;7) Kate Williams&amp;nbsp;+Four Plus Three with Georgia Mancio 'FInding Home'&amp;nbsp;(KW Jazz)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;8) Graham J 'Cry' (MRX-04)&lt;/P&gt;

&lt;P&gt;9) David Dower Trio ' There Are No Stars' ( Bandcamp, iplayer)&lt;/P&gt;

&lt;P&gt;10)Marco Marconi trio - New roads ( 33 Jazz)&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8255589</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8255589</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Wed, 11 Dec 2019 14:45:12 GMT</pubDate>
      <title>Michael J. West</title>
      <description>&lt;OL&gt;
  &lt;LI&gt;&lt;SPAN&gt;Christian Scott Atunde Adjuah&lt;/SPAN&gt; &lt;EM&gt;Ancetral Recall&lt;/EM&gt; (Ropeadope)&lt;/LI&gt;

  &lt;LI&gt;Angel Bat Dawid &lt;EM&gt;The Oracle&lt;/EM&gt; (International Anthem)&lt;/LI&gt;

  &lt;LI&gt;Matana Roberts &lt;EM&gt;COIN COIN Chapter Four: Memphis&lt;/EM&gt; (Constellation)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Miho Hazama &lt;EM&gt;Dancer in Nowhere&lt;/EM&gt; (Sunnyside)&lt;/LI&gt;

  &lt;LI&gt;Marilyn Mazur &lt;EM&gt;Shamania&lt;/EM&gt; (RareNoise)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Matthew Shipp Trio Invites Nicole Mitchell &lt;EM&gt;All Things Are&lt;/EM&gt; (Rogue Arts)&lt;/LI&gt;

  &lt;LI&gt;Joel Ross &lt;EM&gt;Kingmaker&lt;/EM&gt; (Blue Note)&lt;/LI&gt;

  &lt;LI&gt;&lt;EM&gt;Jaimie Branch Fly Or Die II: Bird Dogs of Paradise&lt;/EM&gt; (International Anthem)&lt;/LI&gt;

  &lt;LI&gt;Ben Monder &lt;EM&gt;Day After Day&lt;/EM&gt; (Sunnyside)&lt;/LI&gt;

  &lt;LI&gt;James Brandon Lewis &lt;EM&gt;An UnRuly Manifesto&lt;/EM&gt; (Relative Pitch)&lt;/LI&gt;
&lt;/OL&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8245176</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8245176</guid>
      <dc:creator>Mike West</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 11 Dec 2019 04:13:49 GMT</pubDate>
      <title>David R. Adler</title>
      <description>&lt;P&gt;&lt;FONT face="Tahoma"&gt;Two Top-Ten Lists - A &amp;amp; B. But one is not secondary to the other; they're just different. I made the first list, then thought about it for a bit and made an entirely different list. And rather than agonize about it all, I'm just posting them both.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;List A:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;Miguel Zenón, Sonero: The Music of Ismael Rivera (Miel)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;&lt;SPAN&gt;ELEW, Elew Plays Rosenwinkel: Cubism (Heartcore)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;Johnathan Blake, Trion (Giant Step Arts)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;Anna Webber, Clockwork (Pi)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;&lt;SPAN&gt;Ben Eunson, Ace (Ocean Road)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;&lt;SPAN&gt;Rajna Swaminathan, Of Agency and Abstraction (Biophilia)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;&lt;SPAN&gt;Miles Okazaki, The Sky Below (Pi)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;&lt;SPAN&gt;JD Allen, Barracoon (Savant)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;Brad Mehldau, Finding Gabriel (Nonesuch)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;Mareike Wiening, Metropolis Paradise (Greenleaf)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;List B:&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;&lt;SPAN&gt;Melissa Aldana, Visions (Motéma)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;&lt;SPAN&gt;Jeff Ballard, Fairgrounds (Edition)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;&lt;SPAN&gt;Matt Mitchell, Phalanx Ambassadors (Pi)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;&lt;SPAN&gt;Noah Preminger, Zigsaw: Music of Steve Lampert (ind.)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;Earprint, Easy Listening (ind.)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;Matt Brewer, Ganymede (Criss Cross)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;Junius Paul, Ism (International Anthem)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;&lt;SPAN&gt;Joshua Redman &amp;amp; Brooklyn Rider, Sun on Sand (Nonesuch)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;&lt;SPAN&gt;Jonathan Kreisberg Quartet, Capturing Spirits — JKQ Live! (New for Now)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 13px;"&gt;&lt;SPAN&gt;Mike Holober &amp;amp; The Gotham Jazz Orchestra, Hiding Out (Soho)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8240975</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8240975</guid>
      <dc:creator>David Adler</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 09 Dec 2019 22:16:23 GMT</pubDate>
      <title>Sanford Josephson</title>
      <description>&lt;P&gt;Alexa Tarantino: Crossing Paths (CD Baby)&lt;/P&gt;

&lt;P&gt;Bria Skonberg: Nothing Never Happens (Self Produced)&lt;/P&gt;

&lt;P&gt;Catherine Russell: Alone Together (Dot Time Records)&lt;/P&gt;

&lt;P&gt;Dick Hyman/Ken Peplowski: Counterpoint Lerner &amp;amp; Loewe (Arbors Records)&lt;/P&gt;

&lt;P&gt;Diva + the Boys (MCG Jazz)&lt;/P&gt;

&lt;P&gt;Eric Reed: Everybody Gets the Blues (Smoke Sessions)&lt;/P&gt;

&lt;P&gt;George Coleman: The Quartet (Smoke Sessions)&lt;/P&gt;

&lt;P&gt;Jimmy Cobb: This I Dig of You (Smoke Sessions)&lt;/P&gt;

&lt;P&gt;Ken Peplowski/Diego Figueiredo: Amizale (Arbors Records)&lt;/P&gt;

&lt;P&gt;Nicki Parrott: New York to Paris (Arbors Records)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8228101</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8228101</guid>
      <dc:creator>Sanford Josephson</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 09 Dec 2019 11:46:00 GMT</pubDate>
      <title>Steve Feeney</title>
      <description>&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;2019 Top Ten&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Kris Davis – Diatom Ribbons (Pyroclastic Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Anthony Braxton – Quartet (New Haven) 2014 (Firehouse 12)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;James Brandon Lewis – An Unruly Manifesto (Relative Pitch Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Jamie Branch – Fly or Die II: bird dogs of paradise (International Anthem)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Gerald Cleaver &amp;amp; Violet Hour - Live at Firehouse 12 (Sunnyside)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Mark Turner meets Gary Foster – (Capri Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Rich Halley – Terra Incognita (Pine Eagle Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Ethan Iverson Quartet – Common Practice (Live at the Village Vanguard/2017) (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Tomeka Reid Quartet – Old New (Cuneiform)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Joshua Redman - Come What May (Nonesuch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8223303</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8223303</guid>
      <dc:creator>Stephen Feeney</dc:creator>
    </item>
    <item>
      <pubDate>Sat, 07 Dec 2019 22:43:08 GMT</pubDate>
      <title>Philip Booth</title>
      <description>&lt;P&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;Favorite albums of 2019&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;1. Tom Harrell&amp;nbsp;&lt;/FONT&gt;&lt;EM&gt;&lt;FONT style="font-size: 19px;"&gt;Infinity&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;(High Note)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;2. Ryan Keberle &amp;amp; Catharsis&amp;nbsp;&lt;/FONT&gt;&lt;EM&gt;&lt;FONT style="font-size: 19px;"&gt;The Hope I Hold&lt;/FONT&gt;&lt;/EM&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;&amp;nbsp;(Greenleaf)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;3. Chick Corea&amp;nbsp;&lt;EM&gt;Trilogy 2&lt;/EM&gt;&amp;nbsp;(Concord Jazz)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;4. Jerry Bergonzi&amp;nbsp;&lt;/FONT&gt;&lt;EM&gt;&lt;FONT style="font-size: 19px;"&gt;The Seven Rays&lt;/FONT&gt;&lt;/EM&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;&amp;nbsp;(Savant)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;5. Frank Kimbrough&amp;nbsp;&lt;/FONT&gt;&lt;EM&gt;&lt;FONT style="font-size: 19px;"&gt;Monk’s Dreams: The Complete Compositions of Thelonious Sphere Monk&lt;/FONT&gt;&lt;/EM&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;&amp;nbsp;(Sunnyside)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;"&gt;6. Chick Corea &amp;amp; The Spanish Heart Band&amp;nbsp;&lt;/FONT&gt;&lt;EM&gt;&lt;FONT style="font-size: 19px;"&gt;Antidote&lt;/FONT&gt;&lt;/EM&gt;&lt;FONT style="font-size: 19px;"&gt;&amp;nbsp;(Concord Jazz)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;7. Bob Sheppard&amp;nbsp;&lt;EM&gt;The Fine Line&lt;/EM&gt;&amp;nbsp;(Challenge)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;8. Anat Cohen Tentet&amp;nbsp;&lt;EM&gt;Triple Helix&lt;/EM&gt;&amp;nbsp;(Anzic)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;9. Hendrik Meurkens&amp;nbsp;&lt;/FONT&gt;&lt;EM&gt;&lt;FONT style="font-size: 19px;"&gt;Cobb’s Pocket&lt;/FONT&gt;&lt;/EM&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;&amp;nbsp;(In &amp;amp; Out)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;10. Snarky Puppy&amp;nbsp;&lt;/FONT&gt;&lt;EM&gt;&lt;FONT style="font-size: 19px;"&gt;Immigrance&lt;/FONT&gt;&lt;/EM&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;&amp;nbsp;(GroundUp)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 19px;"&gt;Favorite reissues/historical albums&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;John Coltrane&amp;nbsp;&lt;/FONT&gt;&lt;EM&gt;&lt;FONT style="font-size: 19px;"&gt;Blue World&lt;/FONT&gt;&lt;/EM&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;&amp;nbsp;(Impulse!)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;Betty Carter&amp;nbsp;&lt;EM&gt;The Music Never Stops&lt;/EM&gt;&amp;nbsp;(Blue Engine)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;Cannonball Adderley&amp;nbsp;&lt;EM&gt;Swingin’ in Seattle&lt;/EM&gt;&amp;nbsp;&amp;nbsp;(Reel to Real)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 19px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 19px;"&gt;Favorite vocal albums&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT style="font-size: 19px;"&gt;&lt;BR&gt;
Veronica Swift, Confessions (Mack Avenue)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;"&gt;Tierney Sutton, Screenplay (BFM)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 19px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 19px;"&gt;Favorite Latin albums&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;"&gt;Chick Corea &amp;amp; The Spanish Heart Band&amp;nbsp;&lt;/FONT&gt;&lt;EM&gt;&lt;FONT style="font-size: 19px;"&gt;Antidote&lt;/FONT&gt;&lt;/EM&gt;&lt;FONT style="font-size: 19px;"&gt;&amp;nbsp;(Concord Jazz)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;"&gt;Antonio Adolfo, &lt;EM&gt;Samba Jazz Alley&lt;/EM&gt; (AAM)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" color="#000000"&gt;Jane Bunnett and Maqueque, &lt;EM&gt;On Firm Ground/Tierra Firme&lt;/EM&gt; (Linus)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8208370</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8208370</guid>
      <dc:creator>Philip Booth</dc:creator>
    </item>
    <item>
      <pubDate>Sat, 07 Dec 2019 16:07:39 GMT</pubDate>
      <title>Marcela Breton</title>
      <description>&lt;P&gt;New Releases&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;1.&amp;nbsp;&amp;nbsp;&amp;nbsp; Jane Bunnett &amp;amp; Maqueque “On Firm Ground/Tierra Firme"&amp;nbsp; (Linus)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;2.&amp;nbsp;&amp;nbsp;&amp;nbsp; Diva Jazz Orchestra “Diva &amp;amp; the Boys” (MCG Jazz)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;3.&amp;nbsp;&amp;nbsp;&amp;nbsp; Camila Meza &amp;amp; the Nectar Orchestra “Ambar” (Sony Masterworks)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;4.&amp;nbsp;&amp;nbsp;&amp;nbsp; Jaimie Branch “Fly or Die II : Bird Dogs of Paradise” (International Anthem)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;5.&amp;nbsp; &amp;nbsp; Melissa Aldana “Visions” (Motema)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;6.&amp;nbsp;&amp;nbsp; &amp;nbsp;Champian Fulton with Cory Weeds “Dream a little…” (Live Cellar)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;7.&amp;nbsp;&amp;nbsp;&amp;nbsp; Roxy Coss “Quintet” (OutsideIn)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;8.&amp;nbsp; &amp;nbsp; Aubrey Logan “Where the Sunshine is Expensive” (Resonance Records)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;9.&amp;nbsp;&amp;nbsp;&amp;nbsp; Rhiannon Giddens with Francesco Turrisi “There is No Other” (Nonesuch)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;10.&amp;nbsp; Moy Eng and Wayne Wallace “The Blue Hour” (Patois)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Historical&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;1.&amp;nbsp;&amp;nbsp;&amp;nbsp; Nat King Cole “Hittin’ the Ramp : the Early Years (1936-1943)” (Resonance) (7 CDs)&lt;/P&gt;

&lt;P&gt;2.&amp;nbsp;&amp;nbsp;&amp;nbsp; Stan Getz “Getz at the Gate : the Stan Getz Quartet Live at the Village Gate, Nov. 26, 1961” (Verve/Ume) (2 CDs)&lt;BR&gt;&lt;/P&gt;3.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Barney Wilen Quartet “Live in Tokyo ‘91” (Elemental) (2 CDs)</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8205638</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8205638</guid>
      <dc:creator>Marcela Breton</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 06 Dec 2019 03:54:55 GMT</pubDate>
      <title>John Pietaro</title>
      <description>&lt;P align="center"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&amp;nbsp;JOHN PIETARO 2019 “BEST OF”:&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P align="center"&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;(Yes, it crosses boundaries judiciously)&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;FONT color="#000000"&gt;&lt;EM&gt;&lt;FONT style="font-size: 16px;"&gt;1.&lt;/FONT&gt;&lt;/EM&gt;&lt;EM&gt;&lt;FONT style="font-size: 9px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;EM&gt;&lt;FONT style="font-size: 16px;"&gt;MUSICIANS OF THE YEAR:&lt;/FONT&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Violin:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Sarah Bernstein&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Jason Kao Hwang&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Sana Nagano&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Viola:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Melanie Dyer&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Cello:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Tomas Ulrich&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Lester St Louis&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Trumpet:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Wallace Roney&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Wadada Leo Smith&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Thomas Heberer&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Trombone:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Steve Swell&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Tuba:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Howard Johnson&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Joseph Daley&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Flute:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Nicole Mitchell&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Robert Dick&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Cheryl Pyle&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Clarinet:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Patrick Holmes&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Ben Goldberg&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Guillermo Gregorio&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Bass clarinet:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Josh Sinton&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Michael Lytle&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Soprano saxophone:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Lee Odom&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Dave Liebman&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Alto saxophone:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Marty Ehrlich&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Kendrick Smith&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Chris Pitsiokis&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Tenor saxophone:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-James Brandon Lewis&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Ras Moshe Burnett&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Evan Parker&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Baritone saxophone:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Clare Daley&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Dave Sewelson&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Guitar:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Ava Mendoza&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Marc Ribot&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Mike Baggetta&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Julian Lage&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Anthony Pirog&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Vibraphone:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Bill Ware&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Patricia Brennan&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Steve Nelson&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Piano:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Ran Blake&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Aruan Ortiz&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Mara Rosenbloom&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Upright bass:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Ken Filiano&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-William Parker&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Adam Lane&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Bass guitar:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Jamaaladeen Tacuma&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Steve Swallow&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Drumset:&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Ronnie Burrage&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Ches Smith&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Kenny Wollesson&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Michael TA Thompson&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Percussion:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Warren Smith&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Cyro Baptista&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Newman Taylor Baker&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Harp:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Zeena Parkins&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Multi-instrumentalist (winds):&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Daniel Carter&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Scott Robinson&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Vocals:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Jay Clayton&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Christine Correa&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Shelley Hirsch&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Kyoko Kitamura&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Poet/Spoken Word Artist:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-David Henderson&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Tracie Morris&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Yusef Komunyakaa&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Puma Perl&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;FONT color="#000000"&gt;&lt;EM&gt;&lt;FONT style="font-size: 16px;"&gt;2.&lt;/FONT&gt;&lt;/EM&gt;&lt;EM&gt;&lt;FONT style="font-size: 9px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;EM&gt;&lt;FONT style="font-size: 16px;"&gt;ENSEMBLES:&lt;/FONT&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Large ensemble:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Marshall Allen and the Sun Ra Arkestra&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Slavic Soul Party&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Go Organic Orchestra&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Hungry March Band&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Duo:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Ran Blake and Christine Correa&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Sarah Bernstein and Kid Millions&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Trio:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Harriet Tubman&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-William Hooker Trio with Mara Rosenbloom and Adam Lane&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Rocco John Trio with Chris Forbes and Charlie Sabatino&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Free Form Funky Freqs&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-the Messthetics&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;STRONG&gt;&lt;EM&gt;Quartet:&lt;/EM&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Zodiac Saxophone Quartet&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Todd Capp’s Mystery Train&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;3. LABELS OF THE YEAR:&lt;/FONT&gt;&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Truth Revolution&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-ESP-Disk&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-577&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Alternative Tentacles&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;4. CONCERTS OF THE YEAR:&lt;/FONT&gt;&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-&lt;EM&gt;Wall to Wall Coltrane&lt;/EM&gt;, June 9, Symphony Space, NYC&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-&lt;EM&gt;Arts for Art Tribute to Steve Cannon&lt;/EM&gt;, September 6, Clemente Soto Velez Cultural Center, NYC&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Ronnie Burrage:&lt;EM&gt;Tribute to Hamiet Bluiett&lt;/EM&gt;, May 25, Sista’s Place, Brooklyn NY&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;5. VENUES OF THE YEAR:&lt;/FONT&gt;&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Lady Stardust (East Village)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-The Bar Next Door (West Village)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Jazz at Kitano (mid-town)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Union Pool (Williamsburg)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Downtown Music Gallery (LES)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;6. ALBUMS OF THE YEAR:&lt;/FONT&gt;&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-David S Ware, &lt;EM&gt;Theatre Garone&lt;/EM&gt; (AUM Fidelity)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Mike Baggetta/Mike Watt/Jim Keltner&lt;EM&gt;, Wall of Flowers&lt;/EM&gt; (Big Ego Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Ben Goldberg&lt;EM&gt;, Good Day for Cloud Fishing&lt;/EM&gt; (Pyroclastic)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Green Dome, &lt;EM&gt;Thinking in Stitches&lt;/EM&gt; (Case Study)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;7. UNEARTHED GEMS:&lt;/FONT&gt;&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-David S Ware, &lt;EM&gt;the Balance&lt;/EM&gt; (AUM Fidelity)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;8. REISSUE:&lt;/FONT&gt;&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Charles Mingus, &lt;EM&gt;Mingus at Antibes&lt;/EM&gt; (Speakers Corner; originally released 1976, Atlantic)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Thing, &lt;EM&gt;Thing&lt;/EM&gt; (Cultures of Soul; originally released 1972, Innerview)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;9. ALBUM ARTWORK/PACKAGING:&lt;/FONT&gt;&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Ben Goldberg&lt;EM&gt;, Good Day for Cloud Fishing&lt;/EM&gt; (Pyroclastic)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Charles Mingus, &lt;EM&gt;Mingus at Antibes&lt;/EM&gt; (Speakers Corner; originally released 1976, Atlantic)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;10. BIGGEST HEARTBREAK:&lt;/FONT&gt;&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;-Death of Steve Dalachinsky&lt;/FONT&gt;&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;DIV style="position: absolute; cursor: pointer; z-index: 2147483647; background: transparent; top: -100000px; left: -100000px;"&gt;&lt;/DIV&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8191116</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8191116</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Thu, 05 Dec 2019 21:58:02 GMT</pubDate>
      <title>John Szwed</title>
      <description>&lt;P&gt;Ten Top&lt;/P&gt;

&lt;P&gt;Chick Corea&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Trilogy 2&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;(Concord)&lt;/P&gt;

&lt;P&gt;Frank Kimbrough&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Monk’s Dream&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; (Sunnyside)&lt;/P&gt;

&lt;P&gt;Etienne Charles.&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Carnival: The Sound of a People, Vol. 1&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Culture Shock&lt;/P&gt;

&lt;P&gt;Go: Organic Orchestra and Brooklyn Raga Massive &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Ragmala&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;(Meta)&lt;/P&gt;

&lt;P&gt;Michael Leonhart&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Suite Extracts, Vol. 1 (Sunnyside)&lt;/P&gt;

&lt;P&gt;Billy Lester&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;From Scratch&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;(Newvelle)&lt;/P&gt;

&lt;P&gt;Mike Okazaki&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;The Sky Below&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; (Pi)&lt;/P&gt;

&lt;P&gt;Allison Miller&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Glitter Wolf &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;(Royal Potato Factory)&lt;/P&gt;

&lt;P&gt;Joey De Francesco&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; In the Key of the Universe&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; (Mack Ave)&lt;/P&gt;

&lt;P&gt;Eve Risser&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Apres un Reve&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; (Clean Feed)&lt;/P&gt;

&lt;P&gt;Historical&lt;/P&gt;

&lt;P&gt;Paul Bley, Gary Peacock, Paul Motian&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; When Will the Blues Leave&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;(ECM)&lt;/P&gt;

&lt;P&gt;Stan Getz&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Getz at the Gate&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; (Verve)&lt;/P&gt;

&lt;P&gt;The Art Ensemble of Chicago and Assorted Ensembles&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;(ECM)&lt;/P&gt;

&lt;P&gt;Latin:&lt;/P&gt;

&lt;P&gt;Miguel Zenon&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Sonero: The Music of Ishmael Rivera&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;(Miel)&lt;/P&gt;

&lt;P&gt;Vocal:&lt;/P&gt;

&lt;P&gt;Veronica Swift&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Confessions&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; (Mack Ave)&lt;/P&gt;

&lt;P&gt;Debut:&lt;/P&gt;

&lt;P&gt;Javier Red &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;Ephemeral Certainties &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;(Delmark)&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8188552</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8188552</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Thu, 05 Dec 2019 20:25:35 GMT</pubDate>
      <title>Ralph A. Miriello</title>
      <description>&lt;P&gt;&lt;STRONG&gt;&lt;FONT&gt;My List of Best of Jazz that I have heard in 2019 (In no rated order)&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Bob Sheppard: "The Fine Line" (Challenge Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Mike Holober &amp;amp; The Gotham Big Band: "Hiding Out" (ZoHo Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Randy Brecker &amp;amp; the NDR Big Band: "Rocks" (Jazz Line Edition)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Scott Robinson: "Tenormore" (Arbor Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Bill Frisell and Thomas Morgan: "Epistophy" (ECM)&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Branford Marsalis Quartet: "The Secret Between the Shadow and the Soul" (Okeh/Sony Masterworks)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Dave Holland, Zakir Hussain, Chris Potter (Crosscurrent Trio): "G&lt;/FONT&gt;&lt;FONT style="font-size: 12px;"&gt;ood Hope"&amp;nbsp;(Edition Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Ethan Iverson Quartet &amp;amp; Tom Harrell: "Common Practice" (ECM)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Ahmad Jamal: "Ballades" (Jazz Village/Jazzbook Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Amina Figarova: "Road to the Sun" (BA Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Miguel Zenon: Sonero: The Music of Ismael Rivera” (Miel Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;George Garzone, Peter Erskine, Alan Pasqua, Darek Oles: "3 Nights in LA" (Fuzzy Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Linda May Han Oh: “Aventurine” (Biophilia Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Ben Monder: “Day After Day” (Sunnyside Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Denny Zeitlin: “Remembering Miles” (Sunnyside Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Sarah Gazarek : Thirsty Ghost” ( Self-Produced)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Pat Bianchi: “In the Moment” (Savant Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Mark Wingfield &amp;amp; Gary Husband: “Tor &amp;amp; Vale” (Moon June Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Dave Bass: “No Boundaries” (Whaling City Sound)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Ryan Keberle &amp;amp; Catharsis: “The Hope I Hold” (Greenleaf Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Jim Robitaille Group: “A View from Within” (Whaling City Sound)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Amendola Vs Blades: “Everybody Wins” (Royal Potato Family)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Typical Sisters: “Hungry Ghost” (Outside Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Alicia Olatuja: “Intuition Songs from The Minds of Women” (Resilience Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Peter Hand Big Band: ”Hand Painted Dream” (Savant Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Hendrik Meurkens: “Cobb’s Pocket” (In+Out Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Lynne Arriale Trio: “Give Us These Days” ( Challenge Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Marc Copland: ”And I Love Her” (Illussions/Mirage)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Herlin Riley: “Personal Optimism” (Mack Avenue Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Mark Winkler: “I’m With You: Mark Winkler Sings Bobby Troupe” (Café Pacific Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Roberto Magris Sextet featuring Ira Sullivan: “Sun Stone” (JMood Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Yotam Silverstein: Future Memories” (Jazz &amp;amp; People Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Mark Turner: Mark Turner meets Gary Foster” (ECM)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Laura Antonioli: ‘The Constant Passage of Time” (Origins Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Dave Wilson Quartet: “One Night at Chris’” (Dave Wilson Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Michael Dease: “Never More Here” (Positone Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Robben Ford &amp;amp; Bill Evans: “The Sun Room” (EAR Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Roger Kellaway: The Many Open Minds of Roger Kellaway” (I&lt;/FONT&gt;&lt;FONT style="font-size: 16px;"&gt;PO Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT&gt;Best Debut Album:&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Teymur Phell: “Master Volume” (Self-produced)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT&gt;Best Historical Albums:&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Eric Dolphy: Musical Prophet” (Resonance)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Louis Armstrong “Live in Europe” (DotTime Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Johnny Griffin/Eddie Lockjaw Davis: “Ow! Live at the Penthouse” (Reel to Reel)&lt;BR&gt;
Bill Evans: “Evans in England” (Resonance)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8187895</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8187895</guid>
      <dc:creator>Ralph A. Miriello</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 05 Dec 2019 18:27:23 GMT</pubDate>
      <title>Ken Franckling</title>
      <description>&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;The 10 best new jazz releases of 2019&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Tierney Sutton Band, &lt;EM&gt;ScreenPlay&lt;/EM&gt; (BFM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Something Blue, &lt;EM&gt;Maximum Enjoyment&lt;/EM&gt; (Posi-Tone)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Tom Harrell, &lt;EM&gt;Infinity&lt;/EM&gt; (HighNote)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Charlie Dennard, &lt;EM&gt;Deep Blue&lt;/EM&gt; (Deneaux)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Akiko Tsuroga, Jeff Hamilton and Graham Dechter, &lt;EM&gt;Equal Time&lt;/EM&gt; (Capri)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Lisa Hilton, &lt;EM&gt;Oasis&lt;/EM&gt; (Ruby Slippers)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Brandon Goldberg, &lt;EM&gt;Let’s Play!&lt;/EM&gt; (independent)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Dave Zinno Unisphere, &lt;EM&gt;Stories Told&lt;/EM&gt; (Whaling City Sound)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Five Play, &lt;EM&gt;Live From the Firehouse Stage&lt;/EM&gt; (5Play)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;James Suggs, &lt;EM&gt;You’re Gonna Hear From Me&lt;/EM&gt; (Arbors)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;2019’s best vocal recordings:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Tierney Sutton Band, &lt;EM&gt;ScreenPlay&lt;/EM&gt; (BFM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Laurie Antonioli, &lt;EM&gt;The Constant Passage of Time&lt;/EM&gt; (Origin)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Nancy Kelly, &lt;EM&gt;Remembering Mark Murphy&lt;/EM&gt; (SubCat)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Nora York with Jamie Lawrence, &lt;EM&gt;Swoon&lt;/EM&gt; (Good Mood)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Polly Gibbons, &lt;EM&gt;All I Can Do&lt;/EM&gt; (Resonance)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;The best&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;historical/reissues of 2019&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT&gt;(includes any recordings made over 10 years ago, whether newly released or reissued):&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Cannonball Adderley, &lt;EM&gt;Swingin’ in Seattle, Live at the Penthouse 1966-67&lt;/EM&gt; (Reel to Real)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Michel Petrucciani Trio, &lt;EM&gt;One Night in Karlsruhe&lt;/EM&gt; (SWR Jazzhaus)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Betty Carter, &lt;EM&gt;The Music Never Stops&lt;/EM&gt; (Blue Engine)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;John Coltrane, &lt;EM&gt;Blue World&lt;/EM&gt; (Impulse!)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Miles Davis, &lt;EM&gt;The Complete Birth of the Cool&lt;/EM&gt; (Blue Note/Ume)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;2019’s top debut recording:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Brandon Goldberg, &lt;EM&gt;Let’s Play!&lt;/EM&gt; (independent)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;2019’s best Latin/Brazilian jazz recordings:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Señor Groove, &lt;EM&gt;Little Havana&lt;/EM&gt; (Zoho)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Jane Bunnett and Maqueque, &lt;EM&gt;On Firm Ground/Tierra Firme&lt;/EM&gt; (Linus)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Wayne Wallace Latin Jazz Quintet, &lt;EM&gt;The Rhythm of Invention&lt;/EM&gt; (Patois)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;David Sanchez, &lt;EM&gt;Carib&lt;/EM&gt; (Ropeadope/Malaza)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Antonio Adolfo, &lt;EM&gt;Samba Jazz Alley&lt;/EM&gt; (AAM), Steve Khan &lt;EM&gt;Patchwork&lt;/EM&gt; (Tone Center)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;The 10 best new compositions from CDs released in 2019, listed alphabetically:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Dave Bass, “Agenbite of Inwit” from &lt;EM&gt;No Boundaries&lt;/EM&gt; (Whaling City Sound)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Polly Gibbons and James Pearson, “If You Had the Chance” from &lt;EM&gt;All I Can Do&lt;/EM&gt; (Resonance)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Miho Hazama, “Somnambulent” from &lt;EM&gt;Dancer in Nowhere&lt;/EM&gt; (Sunnyside)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Clifford Lamb, “Blues &amp;amp; Hues” from &lt;EM&gt;Blues &amp;amp; Hues&lt;/EM&gt; (Weberworks)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Bevan Manson, Cecily Gardner and Tierney Sutton, “Caramel” from Bevan Manson, &lt;EM&gt;The Jazz&lt;/EM&gt; Cave (Meistero)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Bennett Paster, “Belgrade Booty Call” from &lt;EM&gt;Indivisible&lt;/EM&gt; (self-produced)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Michael Thomas, “Without Doubt” from Terraza Big Band, &lt;EM&gt;One Day&lt;/EM&gt; Wonder (Outside In)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Akiko Tsuruga, “Osaka Samba” from&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Akiko, Hamilton and Dechter, &lt;EM&gt;Equal Time&lt;/EM&gt; (Capri)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Mike Tucker, “Requiem” from&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Dave Zinno Unisphere, &lt;EM&gt;Stories Told&lt;/EM&gt; (Whaling City Sound)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Noriko Ueda, “Uneven Pieces” from Five Play, &lt;EM&gt;Live From the Firehouse Stage&lt;/EM&gt; (5Play)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8187061</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8187061</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Mon, 02 Dec 2019 20:47:28 GMT</pubDate>
      <title>James Hale</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 14px;" color="#1A1A1A"&gt;&lt;FONT&gt;&lt;STRONG&gt;Kris Davis:&lt;/STRONG&gt; &lt;EM&gt;Diatom Ribbons&lt;/EM&gt; (Pyroclastic)&lt;/FONT&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" color="#1A1A1A"&gt;&lt;STRONG&gt;Louis Sclavis:&lt;/STRONG&gt; &lt;EM&gt;Characters On A Wall&lt;/EM&gt; (ECM)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" color="#1A1A1A"&gt;&lt;FONT&gt;&lt;STRONG&gt;Julia Hülsmann Quartet:&lt;/STRONG&gt; &lt;EM&gt;Not Far From Here&lt;/EM&gt; (ECM)&lt;/FONT&gt;&lt;FONT&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" color="#1A1A1A"&gt;&lt;STRONG&gt;Keith Jarrett:&lt;/STRONG&gt; &lt;EM&gt;Munich 2016&lt;/EM&gt; (ECM)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" color="#1A1A1A"&gt;&lt;STRONG&gt;The Bad Plus:&lt;/STRONG&gt; &lt;EM&gt;Activate Infinity&lt;/EM&gt; (Edition)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" color="#1A1A1A"&gt;&lt;STRONG&gt;Brad Mehldau:&lt;/STRONG&gt; &lt;EM&gt;Finding Gabriel&lt;/EM&gt; (Nonesuch)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" color="#1A1A1A"&gt;&lt;STRONG&gt;Chick Corea:&lt;/STRONG&gt; &lt;EM&gt;Trilogy 2&lt;/EM&gt; (Concord)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" color="#1A1A1A"&gt;&lt;STRONG&gt;Miguel Zenón:&lt;/STRONG&gt; &lt;EM&gt;Sonero: The Music Of Ismael Rivera&lt;/EM&gt; (Miel)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" color="#1A1A1A"&gt;&lt;FONT&gt;&lt;STRONG&gt;Michael Gregory Jackson Clarity Quartet:&lt;/STRONG&gt;&lt;EM&gt;WHENUFINDITUWILLKNOW&lt;/EM&gt; (Golden)&lt;/FONT&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#1A1A1A"&gt;&lt;STRONG&gt;Santana:&lt;/STRONG&gt; &lt;EM&gt;Africa Speaks&lt;/EM&gt; (Concord)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8158177</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8158177</guid>
      <dc:creator>James Hale</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 01 Dec 2019 20:21:39 GMT</pubDate>
      <title>Howard Mandel</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;11 albums I've liked most in 2019 - descending order&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;1. &lt;EM&gt;Diatom Ribbons&lt;/EM&gt; (Pyroclastic Records), Kris Davis&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;2. &lt;EM&gt;Transcending Toxic Times&lt;/EM&gt; (Ropeadope Record), The Last Poets&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;3. &lt;EM&gt;We Are On The Edge&lt;/EM&gt; (Pi), Art Ensemble of Chicago&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Geneva"&gt;&lt;SPAN&gt;&lt;STRONG&gt;4. &lt;EM&gt;The Terror End of Beauty&lt;/EM&gt; (Sunnyside), Harriet Tubman&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;5. &lt;EM&gt;Love and Liberation&lt;/EM&gt; (Concord), Jazzmeia Horne&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;6. &lt;EM&gt;Simone Zanchini Play the Music of Nino Rota&lt;/EM&gt; (In&amp;nbsp;+ Out Records), Simone Zanchini &amp;amp; Frankfurt Radio Big Band conducted by David Grottschreiber&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;7. &lt;EM&gt;&lt;STRONG&gt;The Ambiguity Manifesto&lt;/STRONG&gt;&lt;/EM&gt; (Firehouse 12 Records), Taylor Ho Bynum 9-tette&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;8. &lt;EM&gt;&lt;STRONG&gt;Too Hot for Words&lt;/STRONG&gt;&lt;/EM&gt; (Delmark), Metropolitan Jazz Octet with Dee Alexander&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;9. &lt;EM&gt;&lt;STRONG&gt;Live at Montmarte&lt;/STRONG&gt;&lt;/EM&gt; (Storyville), Ronnie Cuber&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;10. &lt;EM&gt;&lt;STRONG&gt;Trane's Delight&lt;/STRONG&gt;&lt;/EM&gt; (Concord Piquante), Poncho Sanchez&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;11. &lt;EM&gt;&lt;STRONG&gt;On Firm Ground&lt;/STRONG&gt;&lt;/EM&gt; (Linus), Jane Bunnette and Maqueque&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;&lt;STRONG&gt;I can't stop listening to &lt;EM&gt;Diatom Ribbons&lt;/EM&gt;, which has so many different approaches, levels, edges, moods, multiplicities of interactions, considerations and sheer sounds, exciting solos that keep their kicks even on repeat, and great rhythms! Rhythmic propulsion also imbues Jamalaadeen Tacuma's fantastic and variegated production of&lt;/STRONG&gt; &lt;EM style="font-weight: bold;"&gt;Transcending Toxic Times&lt;/EM&gt; &lt;STRONG&gt;for The Last Poets, whose messages are as immediate and urgent as ever – but since it's the album not as "singing" I'm hearing, this isn't my "best vocal album" that Jazzmeia Horn's &lt;EM&gt;Love and Liberation&lt;/EM&gt; strikes me as being, further demonstration of hot talent and love of music making.&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;&lt;STRONG&gt;&lt;STRONG&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;Then there's Harriet Tubman: &lt;EM&gt;The Terror End of Beauty&lt;/EM&gt;. Magnificent, hard rockin,' deep trolling way out black music. And the Art Ensemble of Chicago's We Are On The Edge brings the band's ethos into the 21st century with an expanded pallet that beguiles, mystifies, moves.&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;BR&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;For something utterly different check out the amazing accordionist Simone Zanchini improvising madly on Nino Rota themes with the Frankfort Jazz Big Band (true confession, I wrote the liner notes, am proud of them and believe this music is well-worth the recommendation). Taylor Ho Bynum's 9-tette declaring &lt;EM&gt;The Ambiguity Manifesto&lt;/EM&gt; I find very companionable and fresh, abstract but taking me along for the ride. Dee Alexander shines (as always) singing rare and often upbeat Billie Holiday songs on &lt;EM&gt;Too Hot for Words&lt;/EM&gt;, to fine "little big band" arrangements. Ronnie Cuber doesn’t get the recognition he deserves for his big bold baritone saxophonics – the program &lt;EM&gt;Live at Montmarte&lt;/EM&gt; with organist Kield Lauritsen's trio is thick and fast, real jazz. Two great Latin jazz albums -- &amp;nbsp;gotta give it up to Pancho Sanchez for &lt;EM&gt;Trane's Delight&lt;/EM&gt; from the core of the subgenre impulse, and Jane Bunnett with Maqueque &lt;EM&gt;On Firm Ground&lt;/EM&gt; -- a party sparked by young women of Cuba.&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG style="font-size: 10pt;"&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;• Reissues or Historical albums listed in descending order&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;1. &lt;EM&gt;The Art Ensemble of Chicago and Associated Ensembles&lt;/EM&gt; (ECM). 21 albums by AACM standard bearers – besides the AEC, Roscoe Mitchell and Lester Bowie's separate projects, and Wadada Leo Smith's Jack DeJohnette's – as produced by Manfred Eicher.&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;2. &lt;EM&gt;Nat King Cole Hittin' The Ramp: The Early Years (1936-1943)&lt;/EM&gt; (Resonance). Fantastic 182 tracks, unavailable for decades, charting the rise of the finest mid-century male jazz vocalist, better swinging than Bing, more mellifluous than Pops, more charming than Sinatra, a model for all to come. . ..&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;3. &lt;EM&gt;Been There, Done That&lt;/EM&gt; - Ben Sidran (Sunset Blvd Records) A canny songwriter, hip wit, smart bandleader, cool pianist, and worthy heir of an American heritage.&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;&lt;FONT face="Geneva"&gt;• B&lt;STRONG&gt;est Debut albums&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;&lt;EM&gt;Ephemeral Certainties&lt;/EM&gt; (Delmark),&amp;nbsp;&lt;STRONG&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;Javier Red.&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;Distinctive pianism, knotty quartet.&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT face="Geneva" style="font-size: 12px;"&gt;&lt;EM&gt;Clockwise&lt;/EM&gt; (Pi), Anna Weber. Orchestrated and improvised synchronized minimalism.&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;And of course there are many more . . .&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/widget/2019BestofJazz/8147734</link>
      <guid>https://jja.wildapricot.org/widget/2019BestofJazz/8147734</guid>
      <dc:creator>Howard Mandel</dc:creator>
    </item>
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